5000 little jerks polluting the Ethereum blockchain. They may be cute but they're totally unbearable. Don't try to adopt one, you'll thank me later.

Fluff

Fluff #2238

Meet Base, an Ethereum L2 that offers a secure, low-cost, developer-friendly way for anyone, anywhere, to build decentralized apps.
 
Mint Base, Introduced to celebrate the testnet launch and join the broader Base community. Were excited to build Base together with you.

Base, Introduced

Meet Base, an Ethereum L2 that offers a secure, low-cost, developer-friendly way for anyone, anywhere, to build decentralized apps.

We collectively minted Base, Introduced to celebrate the testnet launch and grow the broader Base community. Were excited to build Base together.

Base, Introduced 72862

Valhalla is a crypto native brand for gamers. 

Valhalla represents more than a collection of digital avatars. It represents decades of gaming culture: the clutch plays, the ELO grind, the OT wins. Visit joinvalhalla.com for more details.

Valhalla

Valhalla is a crypto native brand for gamers. 

Valhalla represents more than a collection of digital avatars. It represents decades of gaming culture: the clutch plays, the ELO grind, the OT wins. Visit https://joinvalhalla.com/ for more details.

Valhalla #5298

State of Sound Vol. 1

To celebrate our first anniversary, were dropping a mixtape and airdropping one edition to all current Sound collectors.

The mix includes 53 songs submitted by artists in our community, which comprises just a fraction of the incredible music on Sound but represents the diverse genres and remarkable talent on Sound.

Sound would not exist without the continued support of our community of artists and collectors. Thank you for building alongside us  were excited to keep you updated on what we have in store for the next year.

Tracklist:
1. Oshi - CHILDHOOD
2. Mija - I'm With Hamburglar
3. DNMO - Skyline
4. YahZarah - WHITE DOVES FT. BUTTERFLY HAUS
5. Karma.wav - SUNLIGHT
6. Dot - Lift Me Up
7. Green Ring - Clouded
8. bloody white - xtc
9. Daniel Allan - Ball! (with Kevin George)
10. pat junior - Check On Me ft. Ro Marsalis
11. Ibn Inglor - Jaw (feat. Dufflegang Gizzle)
12. Lyrah - In the Leaves
13. Sound of Fractures - No One Knows Me Like You
14. findokmusic - Be?
15. Tulengua - luv in u
16. Jon Waltz - PARIS // MILAN
17. Clear eyes - MY WEAKNESS (with Reo Cragun)
18. KarmaVioletta - So Deep
19. TK - Heaven On Earth
20. CAMOUFLY - Kaleidoscope (Me&U)
21. Jadyn Violet - Good Always Turns Evil
22. MSFT - The Only
23. Jamee Cornelia - real shit tho
24. Emily Lazar - Personally
25. sober rob - FLYCATCHER (with charles nimbus)
26. DLG. - OVER MY HEAD!
27. DEFFIE - Finish Line
28. LNRZ - Glasstempo x Kevin George - What U Like
29. High Tropics - Loaded
30. SLOE JACK - SLOW DOWN
31. Twerl - promises
32. Three Oscillators - Into The Abyss
33. Pauline Herr - crush
34. Black Dave - What The Fuck
35. Reo Cragun - Light Show
36. RDE CT - Radio Silence Pt.1 (RAW)
37. Iman Europe - prouda me. (prod by sango)
38. Jazii - Versions of Me
39. Peter Saputo - I'm Not Sad
40. Alara - Mine
41. RAMZOID - off the map
42. GLOWSTONE - LIGHTS OFF
43. Mark Evans - black hole
44. Allan Kingdom - COME EASY
45. Tarot - Poolside
46. the park - do it
47. MoRuf - HYPNO
48. Xcelencia - Soltera
49. Alec King - JOJO
50. Grady - it's friday still
51. Lackhoney - WHY [PROD. SUPAH MARIO]
52. Charm Taylor - Fresh Air
53. SassyBlack - Cosmic Conversation
54. Heno. - NEYBORS (feat. Elujay & J.Robb)
55. Matthew Chaim - Nice Guy

Beautifully mixed by Mija, sober rob, and Dot.

State of Sound Vol. 1 #381

XUT Gobblers Goo Original

Open goo at website

Goo has just arrived to Earth. Use goo to teleport Legendary Art Gobblers to this land so that they can upgrade all gobblers.

If you have Gobblers Goo, please open that!

Gobblers Goo #530

WGOG Card

Upgrade this item to unlock it and enjoy with it. Upgrading does not require any fee.

Dalmi #16

Metaclub Premint Collection

A community represented by an nft that offers 100% utility and 0% bullshit, from day one. Registration for pre-mint avalaible on [Metaclub](https://www.metapremint.xyz)

Metaclub Premint Pass

The Meekicks Genesis Collections

Meebits got the [sweetest kicks](https://www.meekicks.me). There are over 80 different pairs of Meebits shoes, accounting for type, color, and size. Every pair of Meekicks is uniquely tied to one of the 20,000 Meebits and has its own randomized Jump, Speed, and Dance levels. Own a Meebit? Claim your [Meekicks](https://www.meekicks.me):  Meekicks was created and funded by the MeebitsDAO.

Meekicks

Invisible Meebits Clubs

Mint is Live! [Invisible meebits](https://www.invisiblemeebits.xyz) is a public mint collection of handmade invisible voxel characters. This project is truly inspired by meebits by yugalabs and invisible friends NFT project.

Invisible Meebits Mint Pass

Alexander 23

RIP You and Me was one of the first songs I wrote for my debut album Aftershock. Ironically, it ultimately became the clear and obvious choice to be the final song on the album (more on this later). I hadnt really written any songs since my previous EP Oh No, Not Again! and didnt know exactly where I wanted to go with the next round of music which I think is both the scariest and most freeing time for a songwriter. I booked a spontaneous trip to Miami to get inspired and thats where this song started.

While I was in Miami, I realized that although a relationship of mine had ended, there was still a lot I wanted to say to her and things I hoped she knew. I began to think of this song as a kind of eulogy for a relationship and thats where the title was born. After I had the working concept and some of the lyrics I sat down at the piano and that chorus melody line was one of the first things that came out. It was really funny working on this sad piano song while all of the other studios were bumping insanely loud reggaeton. I actually think this weirdly ended up inspiring the bridge, in that I knew the song had to dial up to 10 at some point to really capture the emotion.

When I got back to LA, I lived with the song for a little bit and really loved it, but it felt like something was missing to really put it over the top. It felt like one of the most harmonically sophisticated songs I had ever made and I really wanted to lean into that. I called Charlie Puth and had him not only replay all of the piano I had played but also add that outro solo which I could not be happier to have as the last moment on the album. 

This song had to be the final song on the album because to me this song is closure personified. Its looking back at all the highs and all the lows, exhaling, and saying we gave it our best shot. I think of the duality of the really intense bridge and the outro piano solo as kind of the perfect encapsulation of that feeling. I think this song defines the Aftershock era and Im so grateful for it. 

RIP You and Me #27

TiKA

TiKA #680564733841876926926749214863536422959

Lackhoney

executive produced by sunny b aka bizzle bizz

this song is so insane to me, and the best part is how its creation was such a journey

pt. 1 conception (5.18.22)

mood swings started may 18, 2022 when i had an in-person session with rohan (roho), we had already made two or three songs together virtually but had never met in person and wow he is very tall. also one of the kindest, easiest to get along with, and most effortlessly talented people i've worked with. we started the session the same way all my favorite sessions start, with about 2.5 hours of talking. i think this was before eth went down such sweet and innocent times.

eventually, we started working and the first thing that rohan played was the piano chords, we went through a few versions before we landed on the ones you hear (first time they come in is when i start rapping). he plays all his drums by hand on a keyboard, which is why they feel so human. i've seen very very very few people do it in person, and nobody as well as he does. he talks and makes jokes while he comes up with the craziest shit its insane. there are like 3-4 different drum patterns throughout this song its insane.

as the instrumental started to take shape i started having ideas for raps. i wrote a very long verse (cut it down by about 12 bars in the final version) and felt like i was truly in the 'flow' for the first time in months. i had been struggling with feeling a lot of self-judgement whenever i created for a while but working with rohan unlocked a playfullness and free-spiritedness that i hadn't tapped into for a while. kind of a similar feeling i get from yelling on twitter honestly.

i recorded my verse in one take as well as a hook idea that was very different from what this song ended up being. we left the session with a verse and a hook recorded and a super rough layout of the instrumental.

from there i took it home and worked on it that night, adding the distortion to the bass and developed out the arrangement and my vocal mix a little more. i was in my studio at my house with a couple friends who were gassing me up.

pt.2 may-july 
(forgot about the song)

it didn't fit on the new album i'm working on so i just put it to the side and didn't think i'd come back to it. i would listen to it from time to time and play it for people and the reactions were always super positive but i didn't know where to 'put' it in my discography.

pt.3 july 2022
i traveled 6 times from june 19th - july 26th and the song was finished while i was still living out of my suitcases

at this point jon and i had been talking about working for a couple of months, and i had sent him a different song i wanted him to get on. i think i had already sent this song to another artist and showed it to jon on a whim. but he connected with this one instantly and said he was writing to it.

a week or two passed and he sent me his vocals. i started working on them in miami and finished them in san antonio in sunny's apartment. after i mixed his voice i spent a day or two changing the production around his verse to fit what he was saying. i recorded some vocals / adlibs over his verse to add to it and added that skit between hook2/verse2 while sunny was studying at her table.

at this point sunny b's executive production really kicked in. she told me i needed a new hook, and made a few changes in production to jon's verse and later mine. very key addition of the tire screeching sound in jon's verse by bizzle. 

i bounced a version of the song with the hook taken out just so i could imagine new ideas in its place. sunny's in medical school and is doing clinical rotations now so i dropped her off every morning at 5:55am. on the way back one morning i started playing "Mood Swings v.8 [no hook]". I wasn't trying to write to it, but when the hook came around i started singing the melody for the new hook and i got really excited.

if u are reading this tweet "mood swiiingiiiinnggggg" and tag me or jon on twitter and one of us will send u a customized selfie response it'll be great. this is to reward u for really reading this long-ass thing.

it came about really effortlessly after that. i wrote the hook parked in her car, playing the music too loud at 6am and spent the next hour or so figuring out how to record it, and deciding that the intro needed to just be the hook with the distorted bass.

a couple days later sunny mentioned how my verse felt too long and helped me pick out 8-12 bars that needed to get cut out. the pitched up swearing ending of the verse was always there with the beeps but it didn't have context so i added in the 'talk show' skit and that was pretty much the song.

boom shakalaka
-aly

MOOD SWINGS [W/ JON WALTZ & ROHO] #53

grentperez

I wrote Ego in a writing session with Dan Henig and Linden Jay who both worked with me on Cherry Wine.  I think this is their first times being involved in an NFT so I'm stoked that I can help bring some fellow creators into the web 3.0 space with me on this journey. 

I hope that I'm going to extend my collector-base with this release and welcome more NFT collectors into my community.  I'm about to be doing lots of touring all over the place and so I'm hoping that I'll be able to connect with collectors in different cities around the world, that would be so cool. 





Ego #18

Im grentperez and Im a 20 year old artist from Western Sydney, Australia. My music is heavily inspired by a lot of the music I listened to growing up such as, The Eagles, Bread, Musiq Soulchild and Frank Ocean

I released my first demo music in summer of 2020, moving into official releases throughout 2021 and since then my music has been reaching audiences all around the world and Im currently undergoing my first tour ever. 

Im absolutely thrilled to be minting my genesis NFT and exploring the Web 3.0 world with Music NFTs which Ive been following for some time and I truly believe this is an exciting new world for artists.  

This record Wishful Thinking is about a relationship thats yet to be, to daydream a lifetime"s worth of love from the first moment you met that special someone. I thought of this song as if I lived in a world where I didnt ask my current partner out, how Id probably spend my days wandering around. This song was also heavily influenced by cheesy 2000s movies, such as 13 going on 30 / suddenly 30.

WISHFUL THINKING #23

Smart Meekicks Collectors Item

The MoodFlip Pass

Modern Qubits Community

#136

Fashion CryptoSpells Cards Collection

[Enjoy](https://cryptospells.shop)your crypto life. https://cryptospells.shop

CryptoSpells is a mobile card game where players can earn virtual currency by playing.

 Each card will have its own value, and players can use the virtual currency to trade cards with other players.

The virtual currency can be earned by winning tournaments, making the game more interesting and the cards more valuable.

[Enjoy](https://cryptospells.shop) your crypto life!