By Accident - The Negatives

By Accident - The Negatives #85

By Accident - The Negatives #84

By Accident - The Negatives #83

By Accident - The Negatives #82

By Accident - The Negatives #81

By Accident - The Negatives #80

By Accident - The Negatives #79

By Accident - The Negatives #78

Fields by Gavin Meeler

Flower Boy portrays a calm and sensitive figure, with a touch of darkness that leaves an uneasy feeling in your gut. The intricate details of the flowers and the boy's features draw you in, but the underlying message challenges your perceptions of beauty and prompts you to question the true nature of what you see.

Flower Boy by Gavin Meeler

Rainbow Poolboy

Rainbow & Poolsuite team up to bring in the summer with the high-tech Poolboy audio device, waterproof to 100m

Live minting: https://day5.postphotography.xyz/

In 1963, Nam June Paik (1932 - 2006), a video artist associated with the Fluxus movement, provocatively placed a real cow's head at the entrance of one of her exhibitions. The head jolted visitors out of their perceptual lethargy, transporting them into an altered state of consciousness, and enabling them to engage with the exhibited works with a renewed vision. Inspired by Paiks gesture, I seek to imbue this project, Fluxus with a similar function by subjecting myself, the AI, and the viewer to a cathartic shock.

Typically, my images emerge as unfiltered outputs, rarely subject to modification or retouching, save for the occasional blemish or border adjustment. Respecting the vision and imprint of the algorithm is paramount to me; its errors often unveil unforeseen triumphs.



Fluxus by Inigo Bilbao

In 1963, Nam June Paik (1932 - 2006), a video artist associated with the Fluxus movement, provocatively placed a real cow's head at the entrance of one of her exhibitions. The head jolted visitors out of their perceptual lethargy, transporting them into an altered state of consciousness, and enabling them to engage with the exhibited works with a renewed vision. Inspired by Paiks gesture, I seek to imbue this project, Fluxus with a similar function by subjecting myself, the AI, and the viewer to a cathartic shock.

Once upon a time, I harbored a recurring dream in which I tirelessly searched for a mysterious objecta book, a box, or some enigmatic devicethat promised boundless inspiration and artistic creativity. Today, thanks to AI, my dream has manifested into reality, although it possesses the potential to metamorphose into a nightmarish realm. I venture into "The Zone," an infinite expanse that unveils a distinct reality for each visitor. In my case, it materializes as a realm steeped in darkness and disquietude. I contemplate whether the imagery I encounter reflects the depths of my own troubled subconscious or resonates with a collective unconsciousness. Regardless, my affection for what I behold remains unwavering.

Within this project, my aim is to subject the algorithm to a form of shock therapy. Through the utilization of extensive prompts comprising nonsensical words and phrases, I compel the AI to freely navigate uncharted territories, continually surprising me with its responses.

New Families #01

AI-Log by Alina Trifan

"AI-Log" is an immersive project that explores the realms of memory, place, and the allure of the apocalypse. Its genesis lies in a captivating dialogue between myself and AI, a journey of mutual understanding and shared perspectives.

The collection interweaves photographs sourced from various years and countries that I, as an immigrant, have called home. The resulting compositions resonate with a nostalgic undercurrent, evoking both the sentiments of bygone eras and the interconnections of our present reality. AI-Log unfurls like a diary, with entries that oscillate between personal anecdotes and contemplations on universal themes, notably the elusive nature of memory. Through this process, I have not only revisited past experiences but also forged new ones.

An unexpected facet of AI-Log manifests as a chronicle of events preceding the apocalypse. This element emerged organically during my interactions with AI, perhaps influenced by my state of mind or the melodies that serenaded me. While the imagery often alludes to disintegration and decay within nature, there remains an exaltation of beauty and a profound sense of curiosity for what may lie beyond. This sentiment is particularly palpable in the depictions of human figures who valiantly confront destruction with open arms.

To commence the creative process, I meticulously organized my extensive archive of photographs into categorized folders, considering factors such as year, location, subject matter (nature, people), and a particularly evocative folder entitled "Magic," housing images that exude a textural quality capable of imbuing the final compositions with an air of enchantment.

Guided by intuition and a desire to generate fresh narratives, I carefully selected pairs of photographs. Employing the capabilities of AI models, I harmoniously blended these visual counterparts, occasionally augmenting the process with textual prompts to achieve the desired outcome. After numerous iterations and variations, I amassed over 2000 images, each a testament to our collaborative journey.

Morning Plastic Dew

azure

Polygon1993's latest piece  explores themes of loneliness, depression, loss of loved ones, and mental fragility.
Using his signature technique of circuit-bent video synths CRT TVs and digital glitch art, Polygon1993 creates glitch art portraits of people that are made entirely of lines.
This piece is a haunting and abstract representation of his subject's emotional state. The glitchy, fragmented lines that make up each portrait are a reflection of the turmoil and confusion that comes with mental illness.
Through his use of glitch art and technology, Polygon1993 invites us to contemplate the complex emotions that we all experience at some point in our lives.
This unique and powerful depiction of the human experience serves as a testament to the resilience and strength that we can all find within ourselves in the face of adversity.
By using only lines, Polygon1993 creates a sense of depth and movement that draws the viewer in and invites them to explore the intricacies of the artwork.

azure 3

Sequels

Fernie, British Columbia, Canada, 1964

In Fernie, British Columbia, Canada in 1964. An information booth out on a mountain side with all the information thrown on the ground.

Sequels #42

Men Playing Cards, New York City, USA, 1965

Text to be edited

Sequels #25

Signboard, New York City, USA, 1965

A series of photographs on a board with a title underneath it  that says: "Did you leave your keys in the ignition??"

Sequels 21#

Jordan Nicolette

Jordan Nicolette 
After School Club (2009)  
Open Edition 

After School Club

Heather N. Stout

Heliotropic

By Heather N. Stout  
digital photography  
CO, USA, 2022

The world is full of magic things, patiently waiting for our senses to grow sharper.  
- W.B. Yeats