Post Photographic Perspectives is Fellowship's inaugural group show celebrating a new wave of innovation in photography.

Generating AI images through natural text prompts and image extension mechanisms creates complex uncanny, neo-surreal images that can shift artistic styles seamlessly. As AI tools train on millions of images, there are endless, unpredictable possibilities for aesthetics and content. 

This allows for a queering of the imagery where bodies quickly morph one into another or into animals or objects  undoing normative representations of gender, kinship, and embodiment with ease; and simultaneously illustrating the dissociated affect inherent in both mediated relations and traumatized individuals.

Dissociative Dreams: It's My Party by Jess Mac

Generating AI images through natural text prompts and image extension mechanisms creates complex uncanny, neo-surreal images that can shift artistic styles seamlessly. As AI tools train on millions of images, there are endless, unpredictable possibilities for aesthetics and content. This allows for a queering of the imagery where bodies quickly morph one into another or into animals or objects  undoing normative representations of gender, kinship, and embodiment with ease; and simultaneously illustrating the dissociated affect inherent in both mediated relations and traumatized individuals.



 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 Jess Mac. All Rights Reserved.

License: CC BY-NC-ND 4.0

Dreaming in Art History

Post Photographic Perspectives II: Acceptable Realities is Fellowship's second group show celebrating a new wave of innovation in AI video and photography.

De La Naught is a post-photographic animation series that breathes life into sequences of still frames, revealing captivating and perpetually evolving worlds. Rooted in a childlike sense of wonder, it intertwines subjects and abstractions with themes that both threaten and embrace the intricate tapestry of the human condition.

Through this 100-piece collection, generated using a variety of distinctively trained personal diffusion models, PUBLIKFRUIT seeks to understand which images leave an imprint on our minds, and how they may evolve to challenge our perceptions. Each frame exerts its influence on the next, weaving together harmoniously to embody a lifetime of experiences, of realized and unrealized thoughts.

De La Naught by PUBLIKFRUIT

De La Naught is a post-photographic animation series that breathes life into sequences of still frames, revealing captivating and perpetually evolving worlds. Rooted in a childlike sense of wonder, it intertwines subjects and abstractions with themes that both threaten and embrace the intricate tapestry of the human condition.

Through this 100-piece collection, generated using a variety of distinctively trained personal diffusion models, PUBLIKFRUIT seeks to understand which images leave an imprint on our minds, and how they may evolve to challenge our perceptions. Each frame exerts its influence on the next, weaving together harmoniously to embody a lifetime of experiences, of realized and unrealized thoughts.

Skylark

Sand Bar

Scanlines

Post Photographic Perspectives II: Acceptable Realities is Fellowship's second group show celebrating a new wave of innovation in AI video and photography.

"Overpopulated Symphonies" is a collection of AI post-photography that immerses viewers in a commentary on the contemporary human condition. Through sprawling images of densely populated urban landscapes and human gatherings, the collection reduces individuals to minuscule points, forming an overwhelming sea of indistinguishable dots.

Beyond the literal portrayal of overpopulation, this collection utilizes the metaphor of crowd density as an analogy for the inundation of information in our modern era. It poses questions about identity, individuality, and the struggles faced by the human mind in processing and prioritizing the relentless surge of data we encounter daily. The figures in these photographs transcend mere physical bodies; they represent thoughts, ideas, and information, all vying for recognition and space.

Overpopulated Symphonies by Alkan Avcioglu

"Overpopulated Symphonies" is a collection of AI post-photography that immerses viewers in a commentary on the contemporary human condition. Through sprawling images of densely populated urban landscapes and human gatherings, the collection reduces individuals to minuscule points, forming an overwhelming sea of indistinguishable dots.

Beyond the literal portrayal of overpopulation, this collection utilizes the metaphor of crowd density as an analogy for the inundation of information in our modern era. It poses questions about identity, individuality, and the struggles faced by the human mind in processing and prioritizing the relentless surge of data we encounter daily. The figures in these photographs transcend mere physical bodies; they represent thoughts, ideas, and information, all vying for recognition and space within the confines of our mental landscapes. With humans depicted as dots in a chaotic neural network, these artworks serve as an allegory for the phenomenon of information overload.

The title "Overpopulated Symphonies" intends to evoke the intricate and often overwhelming nature of our current reality. "Overpopulated" alludes to the physical density of human gatherings depicted in the collection, but also metaphorically refers to the overflow of information and ideas that bombard us incessantly. The term "Symphonies" suggests a sense of harmony and order, offering an optimistic counterpoint to the chaos portrayed. It hints at the potential for synchronicity to arise from apparent disarray.

Symphony No. 8 in C Minor, Op. 157, Andante: "Labour"

Symphony No. 4 in F Major, Op. 104, Adagio: "Enthusiasm"

Symphony No. 10 in D Major, Op. 194, Moderato: "The Harvest"

Symphony No. 13 in B Major, Op. 235, Allegro: "Collective Echoes"

Symphony No. 7 in F Minor, Op. 131, Allegretto: "Congestion"

Symphony No. 3 in F Major, Op. 64, Andante: "Mobilization"

Transfer

Phyllotropolis

Turrellian

Post Photographic Perspectives is Fellowship's inaugural group show celebrating a new wave of innovation in photography.

In 2017, I began to explore the frontiers of AI as a creative collaborator and playmate. To explore these questions, I created a Recurrent Neural Network (RNN), which can generate their own outputs from datasets. The BBC offers one such dataset; 16,000+ sound effects and their arbitrary, descriptive titles, such as large bird taking off, and electric monotony. I feed my RNN the BBC's text and it engages in a game of probability to create its own outputs with surprising results. 

River pig loading and Applause from piece of space are two such examples. I then playfully create images that visually articulate an interpretation of each outputs linguistic meaning. In other words, I move from sound, to text, to AI, to text, to image. As the technology improves, I am engaging in an ever-challenging battle of creative authorship with the machine.

Computers Can't Jump by Ben Millar Cole

In 2017, I began to explore the frontiers of AI as a creative collaborator and playmate. To explore these questions, I created a Recurrent Neural Network (RNN), which can generate their own outputs from datasets. The BBC offers one such dataset; 16,000+ sound effects and their arbitrary, descriptive titles, such as large bird taking off, and electric monotony. I feed my RNN the BBC's text and it engages in a game of probability to create its own outputs with surprising results. River pig loading and Applause from piece of space are two such examples. I then playfully create images that visually articulate an interpretation of each outputs linguistic meaning. In other words, I move from sound, to text, to AI, to text, to image. As the technology improves, I am engaging in an ever-challenging battle of creative authorship with the machine



 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 Ben Millar Cole. All Rights Reserved.

License: CC BY-NC-ND 4.0

Computers Can't Jump #084

Post Photographic Perspectives is Fellowship's inaugural group show celebrating a new wave of innovation in photography.

Delicately, or not so delicately musing on the themes of decay, loss, southern gothic and the supernatural. Through the use of AI, my work challenges preconceived notions of what is possible with technology and art and aims to blur the lines between reality and artificiality. Drawn towards Baudrillards theory of Simulacrum, my work illuminates the solely synthetic: creating a simulation of whats of the simulation. Creating the uncanny.

Truther by AI.S.A.M

Delicately, or not so delicately musing on the themes of decay, loss, southern gothic and the supernatural. Through the use of AI, my work challenges preconceived notions of what is possible with technology and art and aims to blur the lines between reality and artificiality. Drawn towards Baudrillards theory of Simulacrum, my work illuminates the solely synthetic: creating a simulation of whats of the simulation. Creating the uncanny.



 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 AI.S.A.M. All Rights Reserved.

License: CC BY-NC-ND 4.0

Truther #095

DAILY.XYZ

In an otherworldly supermarket, reality cracks as quantum tacos drip with delicious photon cheese

Zane Austin - Supermarket

Post Photographic Perspectives is Fellowship's inaugural group show celebrating a new wave of innovation in photography.

My work in Synthography explores other worlds, civilizations, or even parallel worlds. I'm creating visual stories based on intuition. This new technology is helping me to shape new narratives and a unique atmosphere as if I had the power of breathing underwater. It gives another layer to my work; as Claire Silver once said, "Photography is a camera for what is. AI is a camera for what isn't.

Pierre Zandrowicz

My work in Synthography explores other worlds, civilizations, or even parallel worlds. I'm creating visual stories based on intuition. This new technology is helping me to shape new narratives and a unique atmosphere as if I had the power of breathing underwater. It gives another layer to my work; as Claire Silver once said, "Photography is a camera for what is. AI is a camera for what isn't."



 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 Pierre Zandrowicz. All Rights Reserved.

License: CC BY-NC-ND 4.0