Uniswap V3 Positions NFT-V1

This NFT represents a liquidity position in a Uniswap V3 SOV-WETH pool. The owner of this NFT can modify or redeem the position.

Pool Address: 0x0318170609141bfdb38d20d1f1c5b5197670ecee
SOV Address: 0x2c5bc2ba3614fd27fcc7022ea71d9172e2632c16
WETH Address: 0xc02aaa39b223fe8d0a0e5c4f27ead9083c756cc2
Fee Tier: 1%
Token ID: 496179

 DISCLAIMER: Due diligence is imperative when assessing this NFT. Make sure token addresses match the expected tokens, as token symbols may be imitated.

Uniswap - 1% - SOV/WETH - 6524800000<>7969300000

The Stand with Crypto commemorative NFT is a symbol of unity for the crypto community seeking sensible crypto policy. The NFT features a blue shield, representing a collective stand to protect and promote the potential of crypto. The blue shield not only shows your support for the cause but also that youre part of a growing community who believes in the future of crypto. This is a purely commemorative NFT with an open mint and has no intended utility or value.
 

We stand united with the crypto community in our effort to advocate for sensible crypto policy. 

Show your support for the cause and become a part of a growing community that believes in the future of crypto:

Step 1: Mint your free Stand with Crypto commemorative NFT
Step 2: Add a shield emoji next to your Twitter display name 
Step 3: Sign up to become a Crypto435 advocate: https://actnow.io/z31xN5P

Any mint fees associated with the Stand With Crypto NFT collection will be donated to vetted organizations through a Crypto Advocacy Round with Gitcoin.

Stand with Crypto

The Stand with Crypto commemorative NFT is a symbol of unity for the crypto community seeking sensible crypto policy. The NFT features a blue shield, representing a collective stand to protect and promote the potential of crypto. The blue shield not only shows your support for the cause but also that youre part of a growing community who believes in the future of crypto. This is a purely commemorative NFT with an open mint and has no intended utility or value.
 

We stand united with the crypto community in our effort to advocate for sensible crypto policy. 

Show your support for the cause and become a part of a growing community that believes in the future of crypto:

Step 1: Mint your free Stand with Crypto commemorative NFT

Step 2: Add a shield emoji next to your Twitter display name 

Step 3: Sign up to become a Crypto435 advocate: https://actnow.io/z31xN5P

Any mint fees associated with the Stand With Crypto NFT collection will be donated to vetted organizations through a Crypto Advocacy Round with Gitcoin. Mint unlimited NFTs and raise more funds to support crypto advocacy.

Stand with Crypto 29437

Light Webaverse Mint Pass

[The Webaverse Genesis Pass](https://www.webaverse.me) is your toolkit for the open metaverse. The pass allows you to participate in The Upstreet, a collaborative MMO being built by [Webaverse](https://www.webaverse.me). Each pass will allow the holder to claim a parcel of land in The Upstreet in the near future, and will include its own lore and artifacts, along with future airdrops from the Webaverse team.

Webaverse Genesis Pass

The Ortolan: Paris - 2023 Ticket

Sampson, the Sorrow"s Moonlit Dancer - A sensual sage, kissed by wealth then abandoned. In the wildness of life, he finds his sorrow & glory; dancing with both in the moon"s silver glow.

Banquets

Banquets are randomized adventurer meals generated and stored on chain. Images and other functionality are intentionally omitted for others to interpret. Feel free to use Banquets in any way you want. Compatible with Loot (for Adventurers)

Banquet #9877

More or Less

Provenance is everything. MORE or LESS is a social experiment by @yungwknd. It attempts to answer the question "would you rather donate $100 or give me $10?". Each participant receives a commemorative NFT as they vote to donate MORE or LESS. Thank you for participating.

More Or Less #94

Fibrant

With Fibrant, I have explored a concept that I refer to as "digital weaving." I have worked with threads so thin that they could barely be seen with the naked eye, so numerous that I would have been an old man before I could have finished just one piece by hand, and where each strand has been dyed in a unique shade of color. Expanding on the age-old concept of creating something beautiful with thin threads, I follow in the footsteps of fellow artisan weavers, expanding physical techniques into the digital realm.

Fibrant has 31 carefully curated palettes that give the artwork its distinct character. Often, the palette name can hint at the inspiration for that particular palette. I"ve also incorporated five different modeshorizontal lines, vertical lines, lines constrained to a circle, lines constrained to a rectangle, and wavy vertical lineseach adding a subtle variation to the core concept and allowing collectors to find their own favorites among the different styles.

Creating Fibrant was a journey filled with challenges and experimentation. The artwork"s algorithm evolved from a simple core concept to a more complex design, and ultimately, I returned to a refined version of the initial concept after removing extraneous elements that didn"t align with my vision. This process of refining and simplifying the algorithm allowed Fibrant to retain its soul while still offering a visually complex and engaging experience.

Developed using JavaScript and the p5.js framework, Fibrant is a testament to the power of technology in enhancing traditional artistic techniques. The result is a rich, vibrant digital artwork that invites viewers to immerse themselves in its intricate patterns and discover the hidden meanings within.

Fibrant #36

UniWhales DAO Loyalty

Uniwhales

Ecumenopolis by Joshua Bagley

Ecumenopolis focuses on exploration and discovery, generating scenes of cityscapes in unknown worlds. 10% of the minting profits will be donated to the National Alliance to End Homelessness (https://endhomelessness.org/). Created by Joshua Bagley

Ecumenopolis #13

Assorted Positivity by steganon

This series delves into a glitch style technique called pixel sorting, which is generally known to be used as a post-processing method in photography. Pixel sorting is a procedure that isolates segments of pixels and sorts their positions based on any number of criteria (i.e. luminosity, hue, saturation). 

Assorted Positivity is a generative approach to making pixel sorting art without any photographic base. The algorithm uses several types of noise to generate an initial design, each one unique to the token and specifically conducive to pixel-sorting. The sorting displaces pixels in various directions based on their grayscale value; and hues determine how the sorting ends. Sometimes the sorting lends itself to a sort of drip look and other times it presents itself as depth and shading.

This project was initially influenced by my desire to sort past the ubiquitous negativity online and focus on the positivity, generosity, and genuine thoughtfulness that I have witnessed around this genart space--with collectors, artists, and people who simply appreciate the community.

Integrated into each piece is an uplifting adjective that is visible, yet blended into the art. At a glance, the viewer may not notice the steganographic message that is conveyed by an international visual method of telegraphing words. Each word is one that I imagine being used to describe people in the community, their actions, artists, and/or their work.

Every output brings me joy, and is a reminder to treat others with kindness and positivity.

Watch as the pixels sort themselves out. 

Rendering is best viewed in Chrome on a desktop with a high end GPU.

A portion of the proceeds will go toward the international Make-A-Wish Foundation in the hopes of bringing some joy to critically ill children around the globe.

Assorted Positivity #30

Art Blocks x Bright Moments

Metropolis is a long-form generative art collection exploring the node-based systems that enable and possess modern society. These literal and theoretical systems are critical to computing, blockchains, logistics, and most apparently, the formation and function of cities. 

The project will be extended beyond online distribution via individual exhibitions at the five Bright Moments gallery locations around the world. The five primary traits  New York City, Berlin, London, Mexico City, and Los Angeles   stylistically represent their respective city. 

MECHANIC INFORMATION:
- While Metropolis has a total count of up to 1000 mints, only the first 500 will be made available for sale.  
- These first 500 editions will come with the ability to mint a second piece for free. 
- This second mint will be unique, but visually related to the firstcreating a diptych between the two. 
- To claim a second mint, the owner must generate a QR code via the Bright Moments portal and take it to the Bright Moments gallery in the city dictated by its respective city trait on the date of the city"s exhibition. 
- Delegate minting of the second piece is possible. If the owner is unable to attend a show physically, they can arrange for another person to redeem. 
- Redeeming after the city"s exhibition will not be allowed.

ADDITIONAL INFORMATION:

- The style of Metropolis is heavily influence by cubism and abstract expressionism. 
- Technically, the project is an attempt to emulate painting photorealistically within an on-chain algorithm. 
- Metropolis is a demanding program and modern hardware is necessary to view the live generator. Viewing the project on mobile and low-power computers will result in a lower resolution image. 

CONTROLS:
- Pressing the "C" key within the live generator will capture an image.
- Pressing the "4" key within the live generator will reload the piece in 4K resolution (HARDWARE INTENSIVE).

Metropolis #542

Sudfah by Melissa Wiederrecht

Sudfah (Arabic for "happy accident") is a generative collection celebrating the beauty that can emerge from chaos, mistakes, and accidents.

A single calligraphic line intends to tell one story (sometimes wandering and confused in its own right, but always meandering from one side to the other).

Digital liquid is spilled upon it and takes the ink in directions that are unexpected, uncontrolled, and tell a much more interesting story than the one the line intended.... and often more beautiful.

Sudfah #49

Solar Transits by Robert Hodgin

Solar Transits is a procedural exploration of the origins of astrophotography. Each image in this series depicts a randomly generated astronomical event but viewed through the lens of mid-to-late 19th century image capture techniques. The collection features a variety of rare alignments of stars, planets and moons, and are rendered in the spirit of the daguerreotype.

In June of 2012, I took a trip to Minneapolis to speak at the Eyeo Festival. Venus was going to transit while I was there. I was curious. I had not seen a transit before. At 5:09 pm on June 5th, a nearly imperceptible black circle began its march across the sun. Were it not a predicted mathematical certainty, it is doubtful anyone would have noticed. For six minutes, the light from the sun was 0.087% dimmer.

It is a significant thing to see an object silhouetted against the sun. We are so accustom to seeing our perfect circle of pure light that we can"t help but to celebrate the occasions where something blocks the view. I still feel a little more excitement when a slight shadow shoots across the landscape on a cloudless day, the source being an extremely rare transit of a commercial jet liner.

Exponentially more rare is the planetary transit. When Venus hangs on the horizon, glowing against the night sky, it is all too easy to think it another star. Only when it is viewed in silhouette can its position in our universe be fully appreciated: orbitally locked like us, and forever drawing it"s path around the sun. That tiny black circle effected me in a big way. The scale of the cosmos shifted into perspective. That doesnt happen often. I was incredibly moved. It was an experience I will never forget. This project is an homage to that strange once-in-a-lifetime event.

As it turns out, I was very lucky to have seen it at all. In the time since my birth in 1972, a Venus transit has only happened twice. The 1st time was in 2004 but I lived in a part of the world where it was not visible. The 2nd time was in 2012. Unless I live to be 145 years old, there wont be a 3rd time. There are a couple silver linings: the Great American solar eclipse is on April 8 2024, and Mercury will transit in 2032.

The first 10 sales will have the option to purchase their output in the form of a framed daguerreotype.

Solar Transits #379

Ancient Courses of Fictional Rivers by Robert Hodgin

Ancient Courses is a generative experience that explores the aesthetics of meandering rivers and the settlements that form on their banks. The design is graphic and cartographic with bold color palettes rendered against map iconography and line sensibility. From the river banks, roads stretch across the landscape: sometimes a single access road, other times sprawling towns. The river meandering is simulated via a custom algorithm which closely models the real world process.

Press "r" to reset the simulation.
Press "s" to save an image to disk.
Press "h" to re-run the simulation at print res. This is significantly slower than the default screen res version. The progress bar at the bottom of the screen shows how long before the print-res image is automatically saved to disk.

A limited number of Ancient Courses mints will come with a Treasure Map feature. The owner can request a physical print (max one print per treasure map).

Best viewed on Chrome, Firefox, or Safari.

Ancient Courses of Fictional Rivers #928

Alan Ki Aankhen by Fahad Karim

_Alan Ki Aankhen_ is an exploration of other-worldly cityscapes in the visual aesthetic of Fahads distinct style with pen and paper. The title, translated as _Alans Eyes_, alludes to Alan Turings machine intelligence test - a thought experiment foreshadowing a moment in which we can no longer differentiate between the real and the artificial. Though first proposed in 1950, the topic feels especially relevant today, as even our creative practices are being carried by shifting technological tides.

The algorithms and decision-making encoded into this generative art project intentionally imitate Fahads approach on traditional mediums - composition rules, textures, and overall themes. The visual elements are inspired by Fahads memories from his nomadic life. Youll find intricate windows from Rajasthan, massive Egyptian pyramids rising from the horizon, a density of civilization only seen in New York, and the moon - a comforting and shared sight no matter where you stand.

Alan Ki Aankhen #457

RASTER by itsgalo

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*Screens no longer only frame and display virtual spacetime. Connected together and surrounding us on all sides, their framings and displays have also opened, activated, and added another spatiotemporal dimension to the four in which all of us live.*
Vivian Sobchack, *From Screen-Scape to Screen-Sphere: A Meditation in Medias Res*

An exploration of a technical concept I call "pixel overpainting."

Rasterized procedural brush strokes with low transparency slowly layer themselves over each other in a rhythmic loop until they achieve colorful equilibrium. They continue to overpaint themselves endlessly. The resulting color mixtures are then quantized and dithered to separate them into patches of pixels that recall the discrete materiality of the screen: a strictly digital variation on color field painting. The resulting texture is not a skeuomorphic grain but an overt reference to the universe of screens that surround us every day. Electric light arranged in a grid, fluttering and flickering everywhere all the time.

Please allow a few minutes for the colors to reach equilibrium.
For best results use Chrome browser with enabled webGL and hardware acceleration. Though it is encouraged to explore the subtleties in viewing the same pixels on different hardware and software to reflect on the subjectivity of contemporary computer graphics and the materiality of CPUs, GPUs, resolutions, pixel densities, browser APIs, and other medium-specific entropy.

Press "1", "2", "4", "8" to change pixel sizes.
Press "p" or click canvas to pause/resume.
Press "s" to grab a still frame.
Press "r" to re-paint.

Collectors will be eligible to receive a signed gicle print of a still frame of their mint as well as high-resolution looping media in GIF or lossless video format.
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RASTER #292

Vahria by Darien Brito

***Vahria*** is an inquiry into the breaking points between two and three dimensions. Using spheres I attempt to create a tension between flatness and depth. Regular bodies become distorted blobs and circles. Occasionally, triangles are revealed, which are fundamental units in computer graphics.

The project is also a playful comment on constructivism and its dominance as a visual style in current generative art NFTs. In Vahria, I take the deconstructivist approach, favouring fragmented volumes, asymmetries and skewness, over linear forms, straight lines and right angles.

It is strongly encouraged to see the pieces on **full screen**. Otherwise, details of the renders are missed. You can export high-resolution images of the mints to disk by clicking on the artwork and pressing one of the following keys:

[1] : Full HD resolution (1440x1920)
[2]: 4K resolution (2880x3840)
[3]: 6k Resolution (4320x5760)

Vahria #108

Exchange Pass gives you access to Aevo, the world's first high-performance decentralized options exchange. 

Exchange Pass

Exchange Pass holders get early access to app.aevo.xyz