SZNS by JakNFT x Kotegawa

SZNS #230

SZNS #182

SZNS #180

SZNS #62

SZNS #35

[alignDRAW](https://aligndraw.fellowship.xyz/) (2015). The first text-to-image artwork.

By early 2015, neural networks had mastered the art of 'image-to-text' and could create natural language captions for images. Flipping this process, and turning text into image, was a much more complex challenge solved by 19-year old prodigy Elman Mansimov's alignDRAW model.


Fellowship is pleased to present a special release of **fully on-chain*** NFTs of this historical artwork, containing all the original 32x32 pixel images created in 2015.

*These images represent the birth of text prompt AI generated imagery.* - Darius Himes, Christies

*alignDRAW images can be compared to the first fixed photographs taken by Nipce in 1826-1827.* - Dr Lev Manovich

*We created an architecture that allows for the progressive on-chain storage of data and images, strategically addressing the challenge of high gas costs at launch through a phased roll-out that capitalizes on periods of lower gas prices.

alignDRAW

[alignDRAW](https://aligndraw.fellowship.xyz/) - the first text-to-image artwork from 2015.

By early 2015, neural networks had mastered the art of 'image-to-text' and could create natural language captions for images. Flipping this process, and turning text into image, was a much more complex challenge solved by 19-year old prodigy Elman Mansimov's alignDRAW model.

Fellowship is pleased to present a special release of both print editions and **fully on-chain** NFTs of this historical artwork, containing all the original images created in 2015.

*"alignDRAW images can be compared to the first fixed photographs taken by Niepce in 1826-1827."* 
Dr Lev Manovich

*"These images represent the birth of text prompt AI generated imagery."* 
Darius Himes, Christie's

A yellow school bus is walking across a green grass field #86

8NAP ART Season One Mint Pass

8NAP Art is driven by a deep commitment to the artist community. Our mission is to put artists first, empowering them to realize their full potential and achieve unprecedented success. Our curated selection of top-tier artists offers collectors unparalleled access to exceptional works. By connecting premier collectors with established artists, 8NAP ART enhances the art collecting journey, and strives to be the gold standard in the industry. Our vision is to create a dedicated space for premier collectors to acquire exceptional art from the world"s top generative artists and elevate the art collecting experience.

8NAP ART Season One Mint Pass #93

Crea Genesis Collection

The official [CREA](https://www.creawearables.xyz) Airdrop Vault! The first exclusive airdroped collection of wearable NFTs and your gateway into the world of digital wearable fashion, powered by Blockchain technology, engineered for AR and blurring the boundaries between physical and digital realms 

Phantom Shoes

Distance is a series of computational artworks created by French artist William Mapan, generated randomly on chain. Volume 5 of The Los Angeles County Museum of Arts Remembrance of Things Future initiative, in which contemporary artists experimenting with blockchain technology are invited to respond to works in the museum, Distance is Mapans homage to Paul Klees iconic 1914 watercolor, In the Kairouan Style, Transposed in a Moderate Way, in LACMAs encyclopedic collection. Made in support of LACMA's Art and Technology Lab in collaboration with Cactoid Labs, Distance is an exploration of color, form and the ability of code to give rise to painterly, organic textures that resolve into abstracted aerial landscapes. Distance is about standing back from what you see. I was reflecting on my past works and it is always about my personal experience. It is about seeing the bigger picture.

Distance by William Mapan

Distance #53

Post Photographic Perspectives is Fellowship's inaugural group show celebrating a new wave of innovation in photography.

Simon Raion's photographs seduce the viewers' gaze while, at the same time, distancing us (even as the figures in the frame fluctuate between succumbing to and fighting against the frame). Raion offers us oddly stagnant scenes that appear to be overcrowded sweatshops, or isolation wards, or shantytowns, or cluttered dorm rooms, or questionable massage parlors, or industrial wastes. 

But we have the uncomfortable sensation that we are being confronted by the ubiquitous but unseen Other in a Sartrean universe which is our own. An Other who refuses to be color-coded into gender-specific hues or interactions. How many pink-garbed people can pile into a pink car going nowhere, in images that partake equally of Edward Hopper, Hieronymus Bosch and Marx (Brothers)."" Dr. Linda C. Ehrlich

Pink. Unidentified. Such a Useless Color! by Simon Raion

"Simon Raion's photographs seduce the viewers' gaze while, at the same time, distancing us (even as the figures in the frame fluctuate between succumbing to and fighting against the frame). Raion offers us oddly stagnant scenes that appear to be overcrowded sweatshops, or isolation wards, or shantytowns, or cluttered dorm rooms, or questionable massage parlors, or industrial wastes. But we have the uncomfortable sensation that we are being confronted by the ubiquitous but unseen Other in a Sartrean universe which is our own. An Other who refuses to be color-coded into gender-specific hues or interactions. How many pink-garbed people can pile into a pink car going nowhere, in images that partake equally of Edward Hopper, Hieronymus Bosch and Marx (Brothers)." Dr. Linda C. Ehrlich






 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 Simon Raion. All Rights Reserved.

License: CC BY-NC-ND 4.0

Pink. Unidentified. Such a Useless Color! #019

Post Photographic Perspectives II: Acceptable Realities is Fellowship's second group show celebrating a new wave of innovation in AI video and photography.

De La Naught is a post-photographic animation series that breathes life into sequences of still frames, revealing captivating and perpetually evolving worlds. Rooted in a childlike sense of wonder, it intertwines subjects and abstractions with themes that both threaten and embrace the intricate tapestry of the human condition.

Through this 100-piece collection, generated using a variety of distinctively trained personal diffusion models, PUBLIKFRUIT seeks to understand which images leave an imprint on our minds, and how they may evolve to challenge our perceptions. Each frame exerts its influence on the next, weaving together harmoniously to embody a lifetime of experiences, of realized and unrealized thoughts.

De La Naught by PUBLIKFRUIT

De La Naught is a post-photographic animation series that breathes life into sequences of still frames, revealing captivating and perpetually evolving worlds. Rooted in a childlike sense of wonder, it intertwines subjects and abstractions with themes that both threaten and embrace the intricate tapestry of the human condition.

Through this 100-piece collection, generated using a variety of distinctively trained personal diffusion models, PUBLIKFRUIT seeks to understand which images leave an imprint on our minds, and how they may evolve to challenge our perceptions. Each frame exerts its influence on the next, weaving together harmoniously to embody a lifetime of experiences, of realized and unrealized thoughts.

Ocean Spray

FlowerFam

Welcome to your new home, the Oasis    Community-Driven  Ecosystem live at launch, Clone X / Azuki holders are invited to join the MetaPark so visit https://flowersfam.xyz to free mint now!

Flowers Fam

Sensation: Elements

Created in Cinema 4D  
Rendered in Octane Renderer  
500 samples / 3240x4050 px - 72 dpi

Sensation #07

Sensation #17

DREAM

DREAM #25

Deterministic blockchain art generated from Ethereum blocks.

BlockArt

Morphology by Emily Xie #7370

A platform for AI-generated art. 

https://braindrops.cloud/

BrainDrops

A collection of artwork exploring the concept of windows being portals, presenting glimpses into various realities. As observers, we often find ourselves incapable of altering circumstances or participating in them. Inspired by my love of film, and how it can make us feel as if we are part of another world, another place in time. Whether it be close to our reality or far from it. The window acts as a boundary, confining us to the role of mere spectators, whether our reaction is one of dread or fascination.