The very first Base Set of 33 Pepemon Trading Cards designed by TheSocialTrauma.
"Collect what you love, simply because you love it"

PEPEMON TRADING CARDS

The first deck of 33 Pepemon cards has landed on the Ethereum blockchain. These cards, designed by TheSocialTrauma, pay tribute to the culture of simple and pure collecting, devoid of expectations other than enjoying time with like-minded individuals and preserving something visually pleasing to us.

PEPEKEY 11/100

(81-82-83-84) by Daniel Catt

This collection is my own take on Flow-Fields, having not used them before but always admired them. I wanted to taken them in the direction of glitch combined with the lines I'm used to using on the pen plotter.

(81-82-83-84) #31

(81-82-83-84) #28

HPPRS is a 8000 piece generative collection by @shakkablood. The HPPRS are an infamous gang of rabbits who participate in mischievous and heinous activities. Each HPPR is completely unique, masking their identity in various forms/combinations.

[Hoppers Website](https://hoppersnft.xyz/)

[HPPRS Hall Pass](https://opensea.io/collection/hppr-hall-passes)

[HPPRS Gift Shop (Airdrops)](https://opensea.io/collection/hpprs-gift-shop)

[HPPRS PLUS (1/1s)](https://opensea.io/collection/hpprs-plus)

HPPRs

HPPRS is a 8000 piece generative collection by @shakkablood

To learn more about the Hopper/HPPRS projects, please visit https://twitter.com/HPPRSWRLDWDE

HPPR #760

HPPR #1425

A collection by SHAKKABLOOD

The infamous gang of rabbits who participate in mischievous and heinous activities. 

  twitter.com/shakkablood  
  instagram.com/shakkablood  
  discord.gg/63EQyFkQZm  

HOPPERS

#66 HOPPER - MR. PIPI

Judgment Day by Tony Parisi

A jackbooted police force dressed in full riot gear breaks up the mayhem at the nightclub, in a Nine Inch Nails-inspired industrial romp that explores police brutality and authoritarian overreach. Marshall Law beams in over the TV screen (in homage to 1984 the film)-- forceful, triumphant and giddy with power.

Judgment Day by Tony Parisi #144

My all-time favorite speculative fiction author is Robert Heinlein. His decades-spanning career cast such a huge shadow that it would be hard to sum it up here. Hes probably best known for penning Stranger in a Strange Land as well as other notable works including The Moon is a Harsh Mistress, Time Enough for Love and Starship Troopers. While his later writing may be cringeworthy in todays woke world (lots of male gaze stuff), overall his collective body of work is very progressive and though-provoking, highly individualistic but also compassionate, always probing the human condition.
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One of my top Heinlein picks is his 1960 novella If This Goes On, which tells the tale of a Christian theocracy that has come to power in the United States and a Masonic revolution intent on overthrowing it. It explores media manipulation, power politics, the role of organized religion, and personal belief. As a bonus, the novella features a strong female lead named Magdalene, a nun who plays a key part in the plot to take the country back.
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As I was first conceiving the musical, I decided to employ the device of a protagonist delivering first-person admonitions to the audience to both open and close the story. The themes in the Heinlein story fit so well for a Revelation tale, and are always so top of mind for me, that the idea to title the opening piece after the novella naturally popped into my head. This one narrative choice unlocked several others going forward. While the story is totally different, the thematic overlap strongly suggested certain characters and situations. In hindsight, it was a very good choice.