LIFE by KEVIN ABOSCH (2023)

In this AI work, the fractured face of an aged timepiece, its hands poised a few minutes before an indeterminate 12 oclock, serves as an emblem of life's transitions. The ambiguous threshold between noon and midnight prompts contemplation. We are reminded of the punctuated nature of our journeymoments of inception and closure, of beginnings and farewells. Aboschs work of synthetic photography LIFE joins the philosophical discourse on temporality and the fluid coalescence of life's unfolding chapters.

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LIFE by KEVIN ABOSCH

AFTER LIFE I 

HAI 4.0

HAI 4.0 #3

Live minting: https://day5.postphotography.xyz/

In 1963, Nam June Paik (1932 - 2006), a video artist associated with the Fluxus movement, provocatively placed a real cow's head at the entrance of one of her exhibitions. The head jolted visitors out of their perceptual lethargy, transporting them into an altered state of consciousness, and enabling them to engage with the exhibited works with a renewed vision. Inspired by Paiks gesture, I seek to imbue this project, Fluxus with a similar function by subjecting myself, the AI, and the viewer to a cathartic shock.

Typically, my images emerge as unfiltered outputs, rarely subject to modification or retouching, save for the occasional blemish or border adjustment. Respecting the vision and imprint of the algorithm is paramount to me; its errors often unveil unforeseen triumphs.



Fluxus by Inigo Bilbao

In 1963, Nam June Paik (1932 - 2006), a video artist associated with the Fluxus movement, provocatively placed a real cow"s head at the entrance of one of her exhibitions. The head jolted visitors out of their perceptual lethargy, transporting them into an altered state of consciousness, and enabling them to engage with the exhibited works with a renewed vision. Inspired by Paiks gesture, I seek to imbue this project, Fluxus with a similar function by subjecting myself, the AI, and the viewer to a cathartic shock.

Once upon a time, I harbored a recurring dream in which I tirelessly searched for a mysterious objecta book, a box, or some enigmatic devicethat promised boundless inspiration and artistic creativity. Today, thanks to AI, my dream has manifested into reality, although it possesses the potential to metamorphose into a nightmarish realm. I venture into "The Zone," an infinite expanse that unveils a distinct reality for each visitor. In my case, it materializes as a realm steeped in darkness and disquietude. I contemplate whether the imagery I encounter reflects the depths of my own troubled subconscious or resonates with a collective unconsciousness. Regardless, my affection for what I behold remains unwavering.

Within this project, my aim is to subject the algorithm to a form of shock therapy. Through the utilization of extensive prompts comprising nonsensical words and phrases, I compel the AI to freely navigate uncharted territories, continually surprising me with its responses.

Theatre of the Grotesque #11

MATH is a work of synthetic photography by conceptual artist Kevin Abosch created in 2023.

MATH by KEVIN ABOSCH

HOPE VS FUTILITY 

Sequels

Railroad Terminal Steps, New York City, USA, 1964

Inside a New York City railroad terminal in 1964, shafts of light penetrate the dark interior, illuminating people ascending and descending the stairs.

Sequels #13

AESOP

AESOP - The Promise of VR

Aesop - The promise of VR
They have known this will happen before all of us. This is the only known record of the first admin we know of. The first tests where all done in secret behind our back. 

Aesop - The promise of VR

Aesop - The promise of VR
Its rare to find an admin node nowadays. 
When it all started we didnt know only humans and Octopi will survive on the planet. They saved us...
they offered their brain capacity to create a reality we can still live in. 

Aesop - The promise of VR
Japanese tea ceremony.

Aesop - The promise of VR
The kindergarten class is in session, Mexico year 2089.

Aesop - The promise of VR
A beautiful world lies ahead.

Aesop - The promise of VR 
The Sundays spent together as an activity.