ICON 88 X 1

Icon 1988 x 1, by Kris Andrew Small, digitally made, 2023.

Dino Temple 

Not all the temples are the same
6199 x 7320 px - PNG . 2023

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cloudy blurry days

Animated GIF
2023

The Fellowship Patron Pass is an annual membership valid April 1st 2023 - March 31st 2024.

Benefits include:

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The pass artwork was designed by generative artist and engineer Steve Pikelny:

"The Fellowship Patron Pass art is an exercise in minimalist on-chain generative art, in which each token transfer adds a new dot and each mint pass use adds a new square. As a result, each artwork is unique and on-chain."

Fellowship Patron Pass

The Fellowship Patron Pass is an annual membership for photography lovers [valid April 1 2023 - March 31 2024]

Fellowship Patron Pass #863

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The LP

AN EXPERIMENTAL APPROACH TO BOOTSTRAPPING NFT LIQUIDITY AND REWARDING HOLDERS

The LP #8011

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Auntieverse by Niceaunties

The Auntie City" depicts everyday life in the Auntieverse, a world both run and built by aunties. This world blends the ordinary with the extraordinary, filled with things aunties enjoy. The scenes include living quarters fashioned from stacks of Tupperware, sushi, and vegetables, alongside a vibrant depiction of city life viewed through building cross-sections. Here, both solitary aunties and groups interact with various creatures and city elements, walking around, socialising, and observing the hustle and bustle.
The concept of "The Auntie City" draws inspiration from the "walking city" idea by the 1960s British avant-garde architecture group Archigram. This concept envisaged a city capable of moving across land and water to utilise different resources and adapt to changing needs. In Auntieverse, this idea is manifested through buildings equipped with legs, making them mobile and adaptable.
Aunties in this world creatively envision cascading pools in mid-air, playgrounds, and connecting bridges in the midst of high-rise apartment blocks. The use of Tupperware in this segment symbolises both the pervasive nature of plastics in our lives and the fear of ageing and societal isolation.

Chapter No. 1, Auntiecity #0011

Struggle for Pleasure by Harm van den Dorpel

*Struggle for Pleasure* is based on the artists continuous engagement with foundational algorithms in computer science which began around 2005, in this case with particular focus on the implementation of a quadtree. Its chronological outputs are curated and manually processed into artworks that explore the interplay between pixels, perception, and emotion.

While the series borrows its title from a minimalist musical piece by Belgian composer Wim Mertens, it also draws inspiration from the Impressionists" pursuit of coherency, viewing pixels as a dialogic potential beyond nostalgia. In contrast to previous works, the artistic process within *Struggle for Pleasure* adopts a gentler, iterative approach, retaining images from various stages and offering historical and procedural insights. 

Using simple operations like mirroring and rotation, akin to minimal music approaches, paradoxically results in intricate, transcendental compositions. Embracing uncertainty, the artist invites viewers to partake in the struggle for pleasure, where simplicity unfolds into nuanced complexity.