TK - I Don't Need You (v2)

Airdrop only. An alternative version of SZN 2 WK 4.

TK - I Don"t Need You (v2) #34

TK - I Don"t Need You (v2) #2

you were always sure

we"ve been quiet for a while

trying things

experimenting

this feels like a safe place

to show you what we"ve been working on

you were always sure #6

Howd I Lose You

First Open Edition!

Having to let someone go is always so difficult. Ending a relationship can sometimes feel like death. But sometimes, the best thing you can do is admit that its just not right. 

This song is about struggling understanding what it means to be with someone and convenience and comfortability can the perception of love. 

I hope you love it!

Howd I Lose You #5

Howd I Lose You #4

Howd I Lose You #3

Howd I Lose You #2

sellout

"sellout" is the first single off our EP "quarter-life crisis". it was made in early 2022, when we were both 25 and feeling a bit overwhelmed with some aspects of adulthood - being tight on money, having bills to pay, the instability of our careers, wondering if were selling out to feel a bit more comfortable, worrying about getting older and running out of time. 

sellout #9

sellout #18

Lackhoney

executive produced by sunny b aka bizzle bizz

this song is so insane to me, and the best part is how its creation was such a journey

pt. 1 conception (5.18.22)

mood swings started may 18, 2022 when i had an in-person session with rohan (roho), we had already made two or three songs together virtually but had never met in person and wow he is very tall. also one of the kindest, easiest to get along with, and most effortlessly talented people i"ve worked with. we started the session the same way all my favorite sessions start, with about 2.5 hours of talking. i think this was before eth went down such sweet and innocent times.

eventually, we started working and the first thing that rohan played was the piano chords, we went through a few versions before we landed on the ones you hear (first time they come in is when i start rapping). he plays all his drums by hand on a keyboard, which is why they feel so human. i"ve seen very very very few people do it in person, and nobody as well as he does. he talks and makes jokes while he comes up with the craziest shit its insane. there are like 3-4 different drum patterns throughout this song its insane.

as the instrumental started to take shape i started having ideas for raps. i wrote a very long verse (cut it down by about 12 bars in the final version) and felt like i was truly in the "flow" for the first time in months. i had been struggling with feeling a lot of self-judgement whenever i created for a while but working with rohan unlocked a playfullness and free-spiritedness that i hadn"t tapped into for a while. kind of a similar feeling i get from yelling on twitter honestly.

i recorded my verse in one take as well as a hook idea that was very different from what this song ended up being. we left the session with a verse and a hook recorded and a super rough layout of the instrumental.

from there i took it home and worked on it that night, adding the distortion to the bass and developed out the arrangement and my vocal mix a little more. i was in my studio at my house with a couple friends who were gassing me up.

pt.2 may-july 
(forgot about the song)

it didn"t fit on the new album i"m working on so i just put it to the side and didn"t think i"d come back to it. i would listen to it from time to time and play it for people and the reactions were always super positive but i didn"t know where to "put" it in my discography.

pt.3 july 2022
i traveled 6 times from june 19th - july 26th and the song was finished while i was still living out of my suitcases

at this point jon and i had been talking about working for a couple of months, and i had sent him a different song i wanted him to get on. i think i had already sent this song to another artist and showed it to jon on a whim. but he connected with this one instantly and said he was writing to it.

a week or two passed and he sent me his vocals. i started working on them in miami and finished them in san antonio in sunny"s apartment. after i mixed his voice i spent a day or two changing the production around his verse to fit what he was saying. i recorded some vocals / adlibs over his verse to add to it and added that skit between hook2/verse2 while sunny was studying at her table.

at this point sunny b"s executive production really kicked in. she told me i needed a new hook, and made a few changes in production to jon"s verse and later mine. very key addition of the tire screeching sound in jon"s verse by bizzle. 

i bounced a version of the song with the hook taken out just so i could imagine new ideas in its place. sunny"s in medical school and is doing clinical rotations now so i dropped her off every morning at 5:55am. on the way back one morning i started playing "Mood Swings v.8 [no hook]". I wasn"t trying to write to it, but when the hook came around i started singing the melody for the new hook and i got really excited.

if u are reading this tweet "mood swiiingiiiinnggggg" and tag me or jon on twitter and one of us will send u a customized selfie response it"ll be great. this is to reward u for really reading this long-ass thing.

it came about really effortlessly after that. i wrote the hook parked in her car, playing the music too loud at 6am and spent the next hour or so figuring out how to record it, and deciding that the intro needed to just be the hook with the distorted bass.

a couple days later sunny mentioned how my verse felt too long and helped me pick out 8-12 bars that needed to get cut out. the pitched up swearing ending of the verse was always there with the beeps but it didn"t have context so i added in the "talk show" skit and that was pretty much the song.

boom shakalaka
-aly

MOOD SWINGS [W/ JON WALTZ & ROHO] #40

MOOD SWINGS [W/ JON WALTZ & ROHO] #39

better. (abjo remix)

today marks a year since my first drop on sound! 

i released "better" on december 20, 2021, and look at how far we"ve come since then. it"s funny because this song is still very much relevant. i"ve feel better than i did when i originally released this! maybe this song was a manifestation. maybe it"s been hard work and consistent growth. either way, i just know that i am so grateful for the way this platform and every single one of my collectors contributed into changing my life. thank you all for showing up for me consistently, time and time again this year. i love y"all deep, forreal. can"t wait to see how far we take it next year!

price is set to 25 editions at .1 ETH to commemorate the original release!

winner of the golden egg will receive an unreleased merch bundle (4 pieces).

remixed by abjo, the goat himself.

better. (abjo remix) #5

the river (with pluko)

Hi Sound! My name is demotapes, Im a producer and artist based in San Francisco. Im also in a duo called Cassette Tapes, and I started the demotapes project at the beginning of 2020. This is my first drop on sound, thank you for being here :) 

Living in San Francisco, I often feel like an outsider in the music industry. This is something that I embrace- I feel like this isolation helps me to feel creatively free. 2022 was the most creative year of my life, and the biggest shift for me was getting back to writing music with my friends- even if it was over discord calls. Creating memories and shared experiences around songs helped me fall back in love with the creative process and connect with the music in a way that I never have before. 

I wrote this song in San Francisco with my friend Sam (pluko). He came to visit me and we spent a few days just creating in my basement studio. The bulk of the song came together in a single day- the idea just sort of poured out of us. To me, this song feels like the perfect embodiment of what its like to create art with your friends- its hopeful, nostalgic and fun. I hope you guys love it too <3 

the river (with pluko) #21

the river (with pluko) #20

Lift Me Up

I"m not great at telling people how I feel, so I wrote a cheesy love song for someone I care about <3

This is also another track from my upcoming album, released early on sound.xyz before it hits everywhere else in 2023.

Lift Me Up #17

Marian Hill x Mark Johns - Lemme Go

Nams: You up?
Jeremy: Always.
Sam: zzzzzzz wait what

Marian Hill x Mark Johns - Lemme Go #12

THE GOSPEL OF PERCOLATING

The second single from SPEEDHOUSE - A project that marked a stylistic adventure into more mature house flavors interwoven with euro-dance & UK bassline influences. 

THE GOSPEL OF PERCOLATING #13

On The Way Down

On The Way Down is the first song I"ve produced in years... 
I"ve co-produced all my songs with other musicians and I"m usually very hands on with the mix, but I haven"t sat down and made a beat until last May. On the living room floor in Lisbon, I sang into a loop machine, trying to prove my worth to someone whose heart has already left me.

The lyrics talked about time lost being apart, 
message received, 
and next time on the way down, I won"t follow. 

fun fact, It was written around the same time LUNA crashed.

This is the third and final song off of Private Room EP, my genesis music NFT release. 

Mixed and mastered by FenixProd from Lithuania! 
We connected through Squad of Knights.

Album art by Tiffany Ou and Zach Ginnever at Seker Factory DAO