Charlesai

This piece represents the last golf course, preserved inside a museum. Climate change has made it unsustainable to maintain them, as water becomes scarce and the high temperatures burn the grass. The scorching sun makes it unbearable to play for golfers. The remnants of Golf. 


Preserved Golf Course

American Abstract

Empire

Before You Wake

I"ve been left behind,  
chasing violent delights.  
Looking up at the sky,  
I wonder if I am still dreaming?

Still Chasing Violet Delights

Oyster Tree

Cherished though they perish and fall off one by one. 
Piles of shells make mounds of pearls and emus kick through them all. 

An abundance of oysters! 

Minted for AI Surrealism exhibition at Oculus NYC hosted by Superchief and Exquisite Workers 

AI Animation & Music & Poetry & Performance by Laurence Fuller 
@laurencefuller
www.laurencefuller.art/web3

Fear of the Infinite Creativity Monster 

Fear of the Infinite Creativity Monster  #89

BURNUT

BURNUT // 
Did you GM, GN, DM?
Did you mint, did you list?
Did you post, did you shill?
Did you reply, did you engage?
How bad do you want it?

The struggle of the Artist is the journey itself. 
Don"t stop. Don"t quit. Don"t burnout. 

Grind. Create. Express. Market. Gm. Gn. Repeat. Rinse.

_
Process & Medium: AI, Photoshop, Compositing. Time. Experience. Lifelong career of creating and working towards a definition of success that nobody seems to be able to define. You know, the usual. 

the prophet's tale

page fifteen

The Skulls of Luci are a gift to the collectors, collaborators, & each individual who placed an offer on my genesis series: LUCI Chapter 1

There are 50 unique paintings, 49 can be seen here, but can also only be claimed by those individuals.

One remains: the origin point which each skull is based on: The Blueprint Skull on SuperRare.

The Partition is formed  End Chapter 1  These former husks / Vessels adorned with ancestry / Carry the code / Of shared memory // Though flayed and quartered / The bone is porous / Fertile grounds / Ripe for the return // New flesh grows / Once we learn how to die / Souls for the bankless / The tree decides // Power sown in urns and ashes / Eternity learned / in collective demise.

Skulls of Luci

The Partition is formed  End Chapter 1  These former husks / Vessels adorned with ancestry / Carry the code / Of shared memory // Though flayed and quartered / The bone is porous / Fertile grounds / Ripe for the return // New flesh grows / Once we learn how to die / Souls for the bankless / The tree decides // Power sown in urns and ashes / Eternity learned / in collective demise.

Transferred Violence

Artificial Childhood Memories

from the "Artificial Childhood Memories" series | artist: Danielle King | medium: 6144 x 6144 PNG | minted September 2023 

Camping

Storyworlds Issue #1

Storyworlds Issue #1 #182

Black Label Art Cult

LATENT DREAMS is a collection of works by 21 artists that exhibited works depicting experiences, memories, ideas, from or revolving around Dreams. This exhibition was live on April 13th at The NFT Gallery during NFTNYC week, 2023.

Hosted by Joyn + Curated by BLAC.ai

A permanent gallery of the works is on display here:  
https://app.joyn.xyz/gallery/latent-dreams-f47aea8bdcbd

LATENT DREAMS // NFTNYC23

Ana Mara Caballero

Things We Are Saving to Write is a collaborative poem written by Ana Mara Caballero using contributions received from visitors to bitforms gallery during its Code Chronicles exhibition (NY, March 3Apr 15, 2023), curated by Aleksandra Artamonovskaja.

Caballero created a poem for Code Chronicles called Things I Am Saving to Write, inspired by Ernest Hemingways story The Snows of Kilimanjaro, in which the main character is unexpectedly and irrevocably faced with his imminent mortality. During the length of the exhibition, visitors were invited to submit things they were saving to write and to visualize them via a Stable Diffusion text-to-image generation station.  

Caballero culled from over 100 visitor submissions to compose a new poem, a chronicle of Code Chronicles, using visitors" visualizations as well as interpreting their words to create new ones.

As a poet, Caballero uses words to generate images within peoples minds. By using the imagery of her verse as the foundation of AI prompting and then crafting a visual narrative from these images, Caballero brings our collective unconscious into direct dialogue with languages unspoken connotations, calling forth the entanglements of meaning-making. 

Prompting is deeply tied to poetrywriting workshops offer students prompts to inspire poemsbut, here, language generates visuals in form of reverse ekphrasis. Via her image curation, Caballero evinces the wide array of emotions that stem from text, as well as the tension between the private and the public, between the mythical and the historic, between the figurative and the verbatim that hide within the layers of verse. 

Caballeros exploration of the poetics of prompts distills the materiality of language, inviting us to contemplate our visceral reactions to words and the vastness of our imagination. 

--

Code Chronicles | bitforms gallery | New York, New York | March 3Apr 15, 2023

Things We Are Saving to Write

Kolin Din: 1155 Editions

One year of ROP collection life

[ The Rules of Parallels ] collection:  
0x9Ed2577fa4b9b8Bc526eeCb5b3686f9799536E7E

Licensing:  
Can be used to display privately or in commercial and non-commercial settings, or in groups with an unlimited number of participants. The license includes unlimited use and display in virtual or physical galleries, documentaries, and essays by the NFT holder. Provides no rights to create commercial merchandise, commercial distribution, or derivative works.

The Rules of Parallels: 1st anniversary

This isn't real. 

Created in collaboration with AI trained on gestural paintings made by Linda Dounia  (83348334 px)