Decal by Gabriella Morton

An interpretation of the Decal by Gabriella Morton. A symbol of permissionless creativity. Series Twenty Four.

Decal by Gabriella Morton #85

Animonkeys

Animonkeys is a generative collection of 2500 tokens divided into 5 groups of elements - earth, air, water, fire, and lightning. It is an Animetas early adopters token that will have utility in the future. For more info about Animetas, visit - animetas.com

Animonkey #1796

Animonkey #1379

Animonkey #1759

Ascension

Ascension, a journey to the stars  
Leaving behind our home and past  
We ascend to a new world  
Below fades away, a distant memory  
As we rise higher and higher, our spirits are free  
The air grows thin, the view expands  
We reach for the sky, our hearts full of hope  
We are weightless and free, unbound by gravity  
Our spirits soar, our stories untold  
We are reborn, in this moment of ascension  
We are more than just flesh and bone  
As we ascend, to a new beginning, to new heights, to new friends

Inferences

PixelGlyphs

10,000 unique on-chain avatar NFTs generated using a cellular automaton.

Slimer

Post Photographic Perspectives is Fellowship's inaugural group show celebrating a new wave of innovation in photography.

In a world that ceases to exist, every universal being coincides in a peculiar harmony. Their individual tales and perceptions are woven together in a mysterious fabric of connections, unearthing a realm too vast to comprehend. The bonds between its inhabitants and their
stories forever remain etched in time and are stronger than any tangible fabric of reality.

Surreal and ethereal depictions of this place offer stolen moments of insight. It is where the impossible becomes a daily occurrence, and a veil of uncertainty is lifted to reveal a glimpse of the extraordinary. This alternate realm of existence is a testament to the power of the human
spirit, the limitless potential of the mind, and the ever-changing nature of the universe.

Mindscape by Katie Morris

"In a world that ceases to exist, every universal being coincides in a peculiar harmony. Their individual tales and perceptions are woven together in a mysterious fabric of connections, unearthing a realm too vast to comprehend. The bonds between its inhabitants and their stories forever remain etched in time and are stronger than any tangible fabric of reality. 
Surreal and ethereal depictions of this place offer stolen moments of insight. It is where the impossible becomes a daily occurrence, and a veil of uncertainty is lifted to reveal a glimpse of the extraordinary. This alternate realm of existence is a testament to the power of the human spirit, the limitless potential of the mind, and the ever-changing nature of the universe."



 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 Katie Morris. All Rights Reserved.

License: CC BY-NC-ND 4.0

Subject #1

777 Gabagools who never had the makings of a varsity athlete.

Gabagools

Johnny Pasta

Tony Red Carpet

It's all over forever it's a new dawn. Keep away from children.

CryptoDickbutts S4

Gooch Island Passport #1609

Gooch Island Passport #1608

In Interference, Phaust foregrounds two scientific discoveries in a search for purity of generative systemsan 18th century German physicist and a 20th century Japanese electronics corporation.

Investigating acoustics, Ernst Chladni took a violin bow and drew it against a metal plate lightly covered with sand. When the plate reached resonance the sand would settle on particular nodal linesleaving what is known as Chladni patterns. These proved to be important in fields as diverse as acoustics and instrument design to wave theory and quantum mechanics.

Chladni patterns vary according to a range of factors and can be described with some pleasingly simple equations. Those equations lie at the heart of this collection and perhaps show generative art at its purest: a set of simple equations which give rise to near infinite variation.

Phaust drew upon a 1980 invention by the Riso Kagaku Corporation to bring these forms to lifea machine that looks like a photocopier but works like a screen printer. The Risograph uses stencils and vibrant semi-transparent spot color inks to print a single layer of color at a time, producing prints that are vivid, textured and unique thanks to subtle imperfections in the printing process.

Interference embraces the quirks of Risograph printing, adopting the semi-transparent colors of Riso inks and exaggerating the mis-alignment found on Risograph prints. Instead of plotting solid bands of color, the collection mimics the texture of Risograph prints through over half a million distinct tiles, each subtly varied in shape and color. This treatment suggests mosaics when viewed up close and harkens back 200 years to sand particles settling along nodal lines on Chladni's plates.

Unlike earlier collections such as Pointilla, where the artists had to define much of the forms through code, this is fundamentally a handful of mathematical functions and transformations that create a dramatic variation of composition. Phaust chooses to break the faithful presentation of a physical phenomenon by deviating from standard Chladni patterns  introducing polar coordinates that create a pinching effect to otherwise more rounded forms and an additional distortion that occasionally disturbs these flows. These interventions remind the viewer that this is an unreal depiction, algorithmically generated.

This mathematical and conceptual simplicity speaks directly to the beauty of generative systems. By foregrounding a familiar physical phenomenon, the vibration of sound, Phaust elevates the unique beauty of generative art.

Interference by Phaust

In Interference, Phaust foregrounds two scientific discoveries in a search for purity of generative systemsan 18th century German physicist and a 20th century Japanese electronics corporation.

Investigating acoustics, Ernst Chladni took a violin bow and drew it against a metal plate lightly covered with sand. When the plate reached resonance the sand would settle on particular nodal linesleaving what is known as Chladni patterns. These proved to be important in fields as diverse as acoustics and instrument design to wave theory and quantum mechanics.

Chladni patterns vary according to a range of factors and can be described with some pleasingly simple equations. Those equations lie at the heart of this collection and perhaps show generative art at its purest: a set of simple equations which give rise to near infinite variation.

Phaust drew upon a 1980 invention by the Riso Kagaku Corporation to bring these forms to lifea machine that looks like a photocopier but works like a screen printer. The Risograph uses stencils and vibrant semi-transparent spot color inks to print a single layer of color at a time, producing prints that are vivid, textured and unique thanks to subtle imperfections in the printing process.

Interference embraces the quirks of Risograph printing, adopting the semi-transparent colors of Riso inks and exaggerating the mis-alignment found on Risograph prints. Instead of plotting solid bands of color, the collection mimics the texture of Risograph prints through over half a million distinct tiles, each subtly varied in shape and color. This treatment suggests mosaics when viewed up close and harkens back 200 years to sand particles settling along nodal lines on Chladni"s plates.

Unlike earlier collections such as Pointilla, where the artists had to define much of the forms through code, this is fundamentally a handful of mathematical functions and transformations that create a dramatic variation of composition. Phaust chooses to break the faithful presentation of a physical phenomenon by deviating from standard Chladni patterns  introducing polar coordinates that create a pinching effect to otherwise more rounded forms and an additional distortion that occasionally disturbs these flows. These interventions remind the viewer that this is an unreal depiction, algorithmically generated.

This mathematical and conceptual simplicity speaks directly to the beauty of generative systems. By foregrounding a familiar physical phenomenon, the vibration of sound, Phaust elevates the unique beauty of generative art.

Interference #050

Avatars are Parallel's unique characters within the existing 5 Factions. Avatars will give access to the expanding nexus of experiences within the growing Parallel Universe. Set one as your profile picture, earn extra prime within the TCG when winning and also be first to enjoy our future experiences.

Parallel Avatars

The universe is our playground, and we will explore it to its limits.

Hadenor

RTFKTxFaze

Digital RTFKT x Faze jerseys airdropped to original purchasers of the physical RTFKT x Faze jerseys.

Digital Collectible terms and conditions apply, see https://rtfkt.com/legal-2D

RTFKT X FAZE Art Basel Jersey

Fellowship Collection: Post Photographic Perspectives 01

In Roope Rainisto's REWORLD, he explores society's complexities through the lens of AI-generated images, examining individual identities and cultural interplay. Rainisto's innovative use of machine learning marks a turning point in visual communication, reflecting our technology-driven era.

His world is familiar, but the intricate details reveal how visual representations have molded our perceptions. The images evoke a sense of belonging while confronting us with the notion that a machine has unraveled how we perceive ourselves.

Roope's wit and cultural understanding create a unique perspectivea REWORLD with cleverly reimagined elements. Beyond mere fantasy, this elevated reality captivates and challenges our imagination, pushing the boundaries of what is possible in art.

REWORLD by Roope Rainisto

The REWORLD series by Roope Rainisto offers a contemplation of the intricacies of society through the interplay of bodies, identities, groups, events, and designed spaces. Rainisto's use of machine learning systems to generate images marks a turning point in our understanding of visual communication, providing a concentrated essence of visual thinking that reflects our technology-driven era. The world Rainisto creates is both familiar and unsettling, with fine yet flawed details that highlight how our perceptions are molded by visual representations. Through a unique perspective, Rainisto's images present figures and locales that challenge our imagination and venture into an elevated reality.



 Year: 2023

Edition: NFT 1 of 1

Copyright:  2023 Roope Rainisto. All Rights Reserved.

License: CC BY-NC-ND 4.0

Farmer Fantasy

Heartstrings is a collection of 400 AI-assisted art pieces that capture the magic of childhood and the wonder of imagination. Inspired by my new daughter and the art I wanted to create for her room, the collection features a mix of real-life landscapes and fantasy elements, representing fleeting memories from childhood. Some pieces represent actual scenes from my past, while others are inspired by books Ive read as a kid.

As a new father, I realized that one of the most important things I can do is to help spark curiosity and inspire imagination in my child. "Heartstrings" is a reflection of this aspiration and a dialogue between my present and future self, exploring the bond between parent and child and the role of memory in shaping our perceptions of the world.


Heartstrings by Taj

Heartstrings is a collection of 400 AI-assisted art pieces that capture the magic of childhood and the wonder of imagination. Inspired by my new daughter and the art I wanted to create for her room, the collection features a mix of real-life landscapes and fantasy elements, representing fleeting memories from childhood. Some pieces represent actual scenes from my past, while others are inspired by books Ive read as a kid.