The destination for beautiful and innovative AI artwork from a curated selection of artists.

Mint here: https://www.miragegallery.ai/curated

Mirage Gallery Curated

"Evolution's Echoes" is a collection of 150 looping animated pieces that intricately weave together the profound concepts of evolution, perpetual transformation, and the passage of time. Each composition embarks on an immersive journey through a seamless loop, casting reverberating echoes that resonate with the essence of a dynamic and evolving universe. This series reflects the culmination of my personal endeavors in the world of AI Art. Through the meticulous training of custom models, an intricate fusion of Stylegan and Diffusion, the processes harmoniously converge to birth these mesmerizing visual narratives. "Echoes of Evolution" stands as a testament to the boundless possibilities unlocked by the fusion of technology and artistic expression, inviting viewers to embark on a profound visual odyssey through the timeless echoes of human and technological evolution.

Echo 44

WHENIWASYOURAGE

WIWYA... nothing was water proof, but that didn't stop us. This was the first and last time I used this camera 

EXPENSIVESWIM 2001

WIWYA... my parents invited the weird cousins in from out of the country and forced us to take pictures together. I have no idea who these people are. I couldn't name you a single one of them. We never once saw them again. They could all be dead right now for all we know. Family!

SUMMERGETTOGETHER 1970

WIWYA... my friends would sleep over and we'd take moms sheets to make a fort in the living room. We'd read books, play games, watch tv it was a getaway without leaving 

MOMSOLDSHEETS 2000

Enigmatik by Kali

Like something alien or supernatural, a mysterious and disruptive central figure has settled amidst the natural landscape, invading the night with its light. The true nature of this strange shape, be it omen or portal, is left to the viewer's perception of whats real and true.

Enigmatik #83

Enigmatik #82

Enigmatik #81

Possibility Spaces are huge artworks created in an emergent series of calls and responses between artist and AI. 

The art explores the human experience as seen through the mind's eye of machine learning, set across twenty-seven diverse realms of deep zoomable images. Please dive in to explore the full zoomable images on https://www.airtists.com/.

This work seeks to position itself within the surrealist tradition, which has always sought to unlock the power of the unconscious mind to reveal hidden truths about being human. The mind's eye reaches for its own meaning so that perceiving the art is an act of creation. In keeping with the surrealist tradition, Possibility Spaces expresses the idea of welcoming imperfection, embracing glitch as beautiful.

The English language is made up of twenty-six little letters, but there's no limit to the number of possible poems that can be written. Creativity lies in synthesis into creations new, and never imagined.

Welcome to Possibility Spaces.

Possibility Spaces by Look Highward

High Magick is the fourth realm in Possibility Spaces and ventures into fantasy and witchcraft. Populated by wizards; witches and magical creatures practising their magic spells.

The following artwork description was redrafted by an LLM from the output of another ML process; which used a service called SceneXplain; which is a script that can view a complex image and then attempt to describe it in words.

So everything in this description has been discovered by an AI process whilst gazing at the image itself; without any human text input or editing.

Some of the elements present in the description may not be in the image; as they may be AI hallucinations.

The descriptions may not be accurate or pleasing!

 They are; in their own way; an artistic experiment. They also employ high heat settings and other experimental steps.

Sometimes the editor LLM decided to make its own new chapter title; which I thought was funny; so I left it in.

Please do zoom the highest definition images yourself on www.airtists.com and make your own descriptions of what you find in there!

 'Sands of Majesty'

Subtly woven into the texture of a resplendent oil canvas is a vivid spectacle of a bygone era. The pulse of a medieval dreamscape throbs at the heart of this portrayal; three distant citadels punctuating the horizon like cryptic riddles. Nearer; a kaleidoscope of individuals huddle within a fortress's cold stone walls; each garbed in cloaks and caps; some awash in sanguine hues; others veiled in golden threads. 

At the nucleus of this congregation; a queenly figure in cerulean cradles a bird; an embodiment of fragile beauty amidst the storm. A woman draped in the purity of white stands; an ethereal presence amidst the multitude. Anchoring the scene is a man before a monolithic pillar; a stoic sentinel. Another man and woman; draped in robes aflame with red and orange; occupy the spotlight; drawing the viewer's gaze with their stark vibrancy. 

This tableau doesn't merely appeal to the eyes; it ensnares the mind with its elaborate intricacy and bursts of color. In an intriguing divergence; another frame is stolen by an aircraft gliding above a desert expanse; a solitary figure carving its way through the infinite sea of sand; a poignant mirror to the magnitude of the scene it shares.

Vast Desert

Mirrorworlds are the seventeenth realm in Possibility Spaces and attempts to compose images which contain numerous parallel dimensions; using mirrors as a means to visualise this. Populated by adventurers from another reality; mad scientists and futuristic time leapers.

The following artwork description was redrafted by an LLM from the output of another ML process; which used a service called SceneXplain; which is a script that can view a complex image and then attempt to describe it in words.

So everything in this description has been discovered by an AI process whilst gazing at the image itself; without any human text input or editing.

Some of the elements present in the description may not be in the image; as they may be AI hallucinations.

The descriptions may not be accurate or pleasing!

 They are; in their own way; an artistic experiment. They also employ high heat settings and other experimental steps.

Sometimes the editor LLM decided to make its own new chapter title; which I thought was funny; so I left it in.

Please do zoom the highest definition images yourself on www.airtists.com and make your own descriptions of what you find in there!

 In the chapter christened 'Kinetic Anonymity'; let us unveil the narrative encrypted within the canvas. Unfolding before our eyes is a grand orchestration of movement within an indoor panorama; an abstract symphony of figures fluidly traversing a labyrinth of interlacing glass tunnels. This architectural meshwork throws back distorted reflections of passersby; amplifying the illusion of a spatial maze; while walls dressed in mirrors further drape the spectacle in an alluring veil of complexity. 

Among this dance of silhouettes; a single beacon of color radiates - a woman robed in an unmissable yellow ensemble of hat and coat; a bright enigma navigating through the muted crowd. The stage set in the foreground reveals an assembly advancing with an apparent shared purpose towards the spectator; whilst elsewhere; a lone figure embarks on a journey down an elongated; lean street; barely perceptible in the depths. This tableau is an evocative testament to the ceaseless pulse of urban existence; encapsulating the fervor of kinetic motion while echoing the facelessness of city living.

Kinetic Anonymity

Post Photographic Perspectives II: Acceptable Realities is Fellowship's second group show celebrating a new wave of innovation in AI video and photography.

Unmoored seeks to challenge viewers by presenting familiar objects, locations, and tones in unexpected pairings. Drawing upon mundane characters, objects, and settings inspired by personal memories and life experiences, the work displaces these elements from their usual contexts, and challenges viewers to venture beyond the surfaces of the images to find new associations and deeper understandings.

Ultimately, Unmoored reflects on the intoxicating allure of those moments when inspiration strucka sensation akin to a drug that has captivated me since my youth. This feeling, characterized by the stimulation of entirely new neural pathways within the brain, serves as the driving force behind my creative pursuits. Striving to evoke this electrifying sensation, I endeavor to forge unexplored realms of perception and experience.

Unmoored by Nathan Boey

"Unmoored" seeks to challenge viewers by presenting familiar objects, locations, and tones in unexpected pairings. Drawing upon mundane characters, objects, and settings inspired by personal memories and life experiences, the work displaces these elements from their usual contexts, and challenges viewers to venture beyond the surfaces of the images to find new associations and deeper understandings.

The creation of each image in Unmoored entailed equal measures of memory, imagination, and emotion. Each studio session commenced with compiling a list of people (their professions, ages, and attire), settings/locations (specific eras and times of day), and other elements (inanimate objects, animals, etc.), all drawn from fragments within the artist's memory.

Ultimately, Unmoored reflects on the intoxicating allure of those moments when inspiration strucka sensation akin to a drug that has captivated me since my youth. This feeling, characterized by the stimulation of entirely new neural pathways within the brain, serves as the driving force behind my creative pursuits. Striving to evoke this electrifying sensation, I endeavor to forge unexplored realms of perception and experience through my work.

Inner workings

Post Photographic Perspectives II: Acceptable Realities is Fellowship's second group show celebrating a new wave of innovation in AI video and photography.

"Overpopulated Symphonies" is a collection of AI post-photography that immerses viewers in a commentary on the contemporary human condition. Through sprawling images of densely populated urban landscapes and human gatherings, the collection reduces individuals to minuscule points, forming an overwhelming sea of indistinguishable dots.

Beyond the literal portrayal of overpopulation, this collection utilizes the metaphor of crowd density as an analogy for the inundation of information in our modern era. It poses questions about identity, individuality, and the struggles faced by the human mind in processing and prioritizing the relentless surge of data we encounter daily. The figures in these photographs transcend mere physical bodies; they represent thoughts, ideas, and information, all vying for recognition and space.

Overpopulated Symphonies by Alkan Avcioglu

"Overpopulated Symphonies" is a collection of AI post-photography that immerses viewers in a commentary on the contemporary human condition. Through sprawling images of densely populated urban landscapes and human gatherings, the collection reduces individuals to minuscule points, forming an overwhelming sea of indistinguishable dots.

Beyond the literal portrayal of overpopulation, this collection utilizes the metaphor of crowd density as an analogy for the inundation of information in our modern era. It poses questions about identity, individuality, and the struggles faced by the human mind in processing and prioritizing the relentless surge of data we encounter daily. The figures in these photographs transcend mere physical bodies; they represent thoughts, ideas, and information, all vying for recognition and space within the confines of our mental landscapes. With humans depicted as dots in a chaotic neural network, these artworks serve as an allegory for the phenomenon of information overload.

The title "Overpopulated Symphonies" intends to evoke the intricate and often overwhelming nature of our current reality. "Overpopulated" alludes to the physical density of human gatherings depicted in the collection, but also metaphorically refers to the overflow of information and ideas that bombard us incessantly. The term "Symphonies" suggests a sense of harmony and order, offering an optimistic counterpoint to the chaos portrayed. It hints at the potential for synchronicity to arise from apparent disarray.

Symphony No. 10 in E Major, Op. 199, Adagio: "Mirage"

Backwards by Asaf Slook

A curious child, bored and uninspired,
Grasped a pen and a blank sheet of paper.
With a flick of the wrist, he began to draw,
Making small dots upon the page, unsure of what was in store.

But as he connected each dot with a line,
A diamond shape began to take form.
He smiled with pride as he looked upon his creation,
A masterpiece born from idle exploration.

Years passed and the boy grew into a man,
Sitting beside his computer, lost in thought.
A flash of inspiration brought him back to that day,
When he first discovered the beauty of the shape he had wrought.

He picked up his brush, and with a steady hand,
Began to recreate the shape once more.
Each stroke a memory, each line a reminder,
Of the wonder and joy he felt as a boy before.

With a final flourish, he sat back and admired,
His new creation, a work of art.
And as he looked upon it, he felt a sense of triumph,
For he had captured the magic of the child in his heart.

Imagine holding a pen and drawing with it backwards,
As if each layer of ink would lay under the stroke before,
A dance between past and present,
A fusion of childhood wonder and adult mastery, forevermore.

Backwards #254

Post Photographic Perspectives II: Acceptable Realities is Fellowship's second group show celebrating a new wave of innovation in AI video and photography.

De La Naught is a post-photographic animation series that breathes life into sequences of still frames, revealing captivating and perpetually evolving worlds. Rooted in a childlike sense of wonder, it intertwines subjects and abstractions with themes that both threaten and embrace the intricate tapestry of the human condition.

Through this 100-piece collection, generated using a variety of distinctively trained personal diffusion models, PUBLIKFRUIT seeks to understand which images leave an imprint on our minds, and how they may evolve to challenge our perceptions. Each frame exerts its influence on the next, weaving together harmoniously to embody a lifetime of experiences, of realized and unrealized thoughts.

De La Naught by PUBLIKFRUIT

De La Naught is a post-photographic animation series that breathes life into sequences of still frames, revealing captivating and perpetually evolving worlds. Rooted in a childlike sense of wonder, it intertwines subjects and abstractions with themes that both threaten and embrace the intricate tapestry of the human condition.

Through this 100-piece collection, generated using a variety of distinctively trained personal diffusion models, PUBLIKFRUIT seeks to understand which images leave an imprint on our minds, and how they may evolve to challenge our perceptions. Each frame exerts its influence on the next, weaving together harmoniously to embody a lifetime of experiences, of realized and unrealized thoughts.

Gaseous

Yamabushi are revered as mountain priests or ascetic hermits in Japan, devoutly following the ancient traditions of Shugend. This spiritual practice intertwines elements of Buddhism, Shintoism, and the indigenous worship of mountains. The very name "yamabushi" itself translates to "those who find solace in the mountains."

Every artwork within this series exudes an undeniable spirit of motivation, resonating with the echoes of Yamabushi's teachings. It serves as a profound reminder that life's challenges should not be feared, but embraced as transformative opportunities for growth and self-discovery. Generated through a custom AI model, Yamabushi's Horizons landscapes and strokes of generative-like art act as visual metaphors, reflecting the profound wisdom of Yamabushi and empowering us to harness our inner strength and nurture resilience.

Yamabushi's Horizons by Richard Nadler

Yamabushi are revered as mountain priests or ascetic hermits in Japan, devoutly following the ancient traditions of Shugend. This spiritual practice intertwines elements of Buddhism, Shintoism, and the indigenous worship of mountains. The very name "yamabushi" itself translates to "those who find solace in the mountains."

Every artwork within this series exudes an undeniable spirit of motivation, resonating with the echoes of Yamabushi"s teachings. It serves as a profound reminder that life"s challenges should not be feared, but embraced as transformative opportunities for growth and self-discovery. Generated through a custom AI model, Yamabushi"s Horizons landscapes and strokes of generative-like art act as visual metaphors, reflecting the profound wisdom of Yamabushi and empowering us to harness our inner strength and nurture resilience.

Yamabushi"s Horizons #126

The Fellowship Patron Pass is an annual membership valid April 1st 2023 - March 31st 2024.

Benefits include:

- Early access to our future releases
- Rewards including airdrops and discounts
- Voting rights for our charity that supports historically marginalized artists

The pass artwork was designed by generative artist and engineer Steve Pikelny:

"The Fellowship Patron Pass art is an exercise in minimalist on-chain generative art, in which each token transfer adds a new dot and each mint pass use adds a new square. As a result, each artwork is unique and on-chain."

Fellowship Patron Pass

The Fellowship Patron Pass is an annual membership for photography lovers [valid April 1 2023 - March 31 2024]

Fellowship Patron Pass #400

Fellowship Patron Pass #28

Boundary Issues by Jess Hewitt

Boundary Issues is an exploration of minimal maximalism and the tension between opposing forces, such as order and chaos, flatness and depth. The series title playfully references the overcrowded composition, outlines that extend into the margins, and movement of the shapes when animated.