hxhx

I let each little thing slip out of my grasp, then I stand up with another new thing, and it"s gone before I know it-

Digital painting | 2400 x 3000 px | hxfix | 2022

Slip out of my grasp.

alterego: P5Q8N6Y1

if everyone is wearing a mask...  
do you still have to play by the rules?

[redacted]

alterego: U2S4O1I8

alterego: R3X7M9A2

alterego: H4T2L7K9

alterego: K3P6R7Q2

Advent Stars

The Star Cluster **NGP 89** will start forming on 1st Dec. 2023

#116 - NGP 89

Perils of Ss is an illustrative generative-meets-hand drawn digital art series, limited to a number of unique pieces by All Seeing Seneca.

Seneca once again uses her artistic voice, stemming from a background of traditional illustration and animation, to tell a new nonlinear, abstract story about the reflection of Self.

Perils stars three new creatures and a child protagonist inspired by new lore. The series pays homage to the aesthetics and structure of storybooks and analog animation techniques, revealing the artists refreshing take on the generative art scene.

Perils is made up of three chapters and each page represents a singular idiosyncratic timeline, granting the viewer the ability to collect and curate their own path in this sprawling and mystical tale.

Each artwork is a standalone painting and has three different blooms of borders that are revealed only in time.

Perils of Ss by All Seeing Seneca

Perils of Ss is an illustrative generative-meets-hand drawn digital art series by All Seeing Seneca. The artwork pays homage to the aesthetics and structure of storybooks and analog animation techniques, revealing the artists take on the generative genre. Seneca tells a new nonlinear, abstract narrative about the reflection of Self.

Perils (pg. 8xo)

Perils (pg. 1qt)

Perils (pg. 8ah)

Perils (pg. 5qm)

Perils (pg. 4uf)

Monas // on-chain

Gas Station

Kubikino by Carolina Melis

Kubikino is a project by artist Carolina Melis, with the support of creative coder Enrico Penzo. The work is informed by notions of choreography, modular pattern composition and character design.

Kubikino is an idiosyncratic face, made of a combination of graphical elements and colours generated by code. Using an essential library of geometries - all deriving from the circle - and primary tones, the code randomly creates new faces resembling human physiognomy, animals and traditional masks.

Through the deliberate reference to a face, Kubikino prompts contemplation on the traditional notions of identity, similarity, and persona, as well as the ongoing need to establish one"s own representation within a community - from traditional masks to digital avatars. For centuries, human identity has been a source of cultural fascination, with the word "identity" stemming from the Latin term "identitas," signifying both "sameness" and oneness.

Inspired by Bruno Munari"s "Faces," a collection of abstract portraits created using basic geometric shapes and lines, Kubikino reflects on the simplicity, playfulness, and power of design to communicate across cultures and generations.

Drawing upon the influential dance theories of Rudolf Laban and Merce Cunningham, Kubikino"s device process for the creation of its faces is underpinned by a sophisticated framework of modular pattern composition. The project"s generated output is organised into a grid-based structure, where each section corresponds to a phrase, and the relationship between the various sections collectively generates the final composition. Referencing Labans Movement Analysis, each section is paraphrasing LMA"s four key components: body (loop), shape (direction), dynamic (colour), space (relationship within the space).

Kubikino also adopts the principles of "chance" and "structured improvisation" articulated by avant-garde pioneers John Cage and Merce Cunningham in the 1960s. The Kubikino identity is constructed from a selected array of animated graphics, rules, and paradigms that correspond to motifs, scores, and ensembles found in conventional art forms such as dance, music, and paintings.

Kubikino #253

REMPHASIS

A collaboration from money_clicc x lucclop

The art celebrates new pathways found through the digital medium. Flowing brushes and wet paint collide with the hard edges of glitches and digital static. The collection is connected by a shared language and unified elements but each piece reemphasising the group message in its own way. 

REMPHASIS is constructed from a manually calculated process to assign colour palettes and controlled randomisation of shared layers across its collection.

3 FOUNDATIONAL ARTWORKS are the origins of the collection.