Free Market Rules:
1. Do Not Fight The Market
2. Collectors Value The Art
3. The Free Market Values Collectors

David Rees - Free Market

GINGA

With this collaboration piece between A-Mashiro and Wen, the artists are exploring the conflict between the order and the chaos. While the ink bleeding background flows and spreads in an unpredictable way. The simple geometry shapes on top provide a sense of order and stability to the composition. Together, they create a sense of balance and harmony.\n\nFrom up close, the intricate details of the screentone effect and the geometry shapes are more apparent. However from further away, the overall composition and sense of movement in the piece become more apparent.\n\nAnd it also symbolizes that two artists come from very different backgrounds. And it is this difference between them that creates conflicts but also brings harmony to this piece.

Ginga #227

Howlerz Champions

HOWLERZ ACT 3: CHAMPIONS is a dynamic collection of up to 5k digital avatars which can only be minted by "feeding" PREY (include hyperlink to OS collection) to your HOWLER (include hyperlink to OS collection). BE ADVISED: both tokens are burnt in the irreversible minting process. CHAMPIONS can eventually be staked for combat in a passive PvP Battle Royale via howlerz.io

Super Wulf 1070

Super Wulf 0110

HOWLERZ ACT 3: CHAMPIONS is a dynamic collection of up to 5k digital avatars which can only be minted by "feeding" [PREY](https://opensea.io/collection/howlerzprey) to your [HOWLER](https://opensea.io/collection/howlerz). BE ADVISED: both tokens are burnt in the irreversible minting process. CHAMPIONS can eventually be staked for combat in a passive PvP Battle Royale via howlerz.io

Rabid Wulf #0135

Generations is a collaboration between generative artist Anna Lucia and the quilters of Gee's Bend. Anna Lucia developed an algorithm to craft a series of digital quilts inspired by the iconic patchworks of the Quilters of Gee's Bend.

In the 19th century, enslaved plantation workers of Gee's Bend, Alabama, crafted one of the most important living legacies in American art history. Isolated from outside influences by an Alabama River cul-de-sac, the community incubated a staggeringly unique found fabric quilting tradition echoing African textile patterns. These stunning abstract designs would become widely regarded as modern art masterpieces, defiantly voicing a rich intergenerational narrative. Gee's Bend quilts have been collected extensively by prominent museums, inspiring high-profile homage from official First Lady portraiture to acclaimed runway shows.

Generations

Generations is a collaboration between generative artist Anna Lucia and the quilters of Gee's Bend. Anna Lucia developed an algorithm to craft a series of digital quilts inspired by the iconic patchworks of the Quilters of Gee's Bend. 

 In the 19th century, enslaved plantation workers of Gee's Bend, Alabama, crafted one of the most important living legacies in American art history. Isolated from outside influences by an Alabama River cul-de-sac, the community incubated a staggeringly unique found fabric quilting tradition echoing African textile patterns. These stunning abstract designs would become widely regarded as modern art masterpieces, defiantly voicing a rich intergenerational narrative. Gee's Bend quilts have been collected extensively by prominent museums, inspiring high-profile homage from official First Lady portraiture to acclaimed runway shows. 

 Four quilters, Louisiana Bendolph, Loretta Petway Bennett, Essie Bendoplhe Pettway, and the estate of Lucy Pettway-namely her daughter and fellow quilter Mary Margaret- shared their process with Anna Lucia. Who, in turn, created an algorithm to generate digital quilts that share key elements with the source yet are unique and surprising in their own way. The quilters collaborated on curating the 500 unique digital quilts that make up the Generations collection. 

 [Collectors Rights](https://ipfs.io/ipfs/Qmb4a2H7Y4CJq53Qs2E2tKF4SJRuUnTvfqho1kvRvLzfhJ/COLLECTOR'S%20RIGHTS%20ANNA%20LUCIA%20x%20GEE'S%20BEND.pdf) 

[High Resolution Image](https://ipfs.io/ipfs/QmfMr3GDsPSQ2GqxU1SkwoZRyWH1ZaXoVfJaPFgxRNXtPo/Louisiana_883246_high-ress_.png)

Generation 38

Infinity

Print Editions

24" gicle print of the 1/1 NFT: https://opensea.io/assets/ethereum/0xb932a70a57673d89f4acffbe830e8ed7f75fb9e0/30298

As the bone whitens, the dead are revealed. A group awash in light who constantly play. A trip that has yet to end.

Botto is an autonomous artist governed by BottoDAO. Blossoming Cadaver is the fourth piece from Bottos genesis period.

Blossoming Cadaver #23/250

AMachineForDying

A Machine For Dying is centred around the concept of the "Worker in a Box", a trapped individual, doomed to toil forever. The collection presents the stark contrast between autonomy and individuality versus the destruction and apathy that can come from being trapped and exploited by the corporate machine.

A Machine For Dying

Welcome to Digital Paint, an interactive audio-visual collection of 5,000 unique NFTs. 

Designed and conceptualized by artist Jen Stark, in collaboration with Chain/Saw and CutMod, Digital Paint's generative canvas allows collectors to explore and create their own animated, living masterpieces. Inspired by mandalas, sacred geometry, and color theory, the Digital Paint collection features a myriad of pulsating patterns and sound activating brushstrokes. 

The psychedelic world of Digital Paint is filled with surprises. In a celebration of shared joy and communal experience, each minted artwork is built upon layers of time-based coding, tied to an infinite loop of playful transformations that slowly reveal themselves throughout the calendar year. 

Digital Paint

Digital Paint is a collection of 5,000 NFTS created by Los Angeles-based artist Jen Stark, in collaboration with CutMod, Chain/Saw, and you. This Paint Pass can be redeemed to create your own customized Digital Paint NFT. Visit [https://digitalpaint.io/](https://digitalpaint.io/) to customize your NFT.

Paint Pass

Mariah editions on Babylon - February 16, 2023

The waiting room was empty and no sound could be heard,
Whiteish felt like he was alone in the entire world.

Than a sexy nurse approached him with a mocking smile
and told him arrogantly Sit down and wait awhile.

After which she went for a nurses lunch break,
without giving a shit for his headache.

The head hurt so bad that he started to hallucinate a bit
seeing doctors waiting in the room as patients and similar shit.

Strange figures suddenly sat around in the room,
With sadness in their stand and faces made of gloom.

The temperature got him high like amphetamine,
and suddenly he sees things the way he has never seen.

The provocatively uniformed nurse which was more than hot,
made him realise the following cognitive thought:

Here she is a health care worker and I am a dog with albinism,
but as soon as I get out of this building
we will both become actors in the society of consumerism.

This fewer must have made me pathetic and cynic,
he concluded and merged in the environment of clinic
in the role of a patient in every sense,
among imaginary people unable to pay private treatment expense.
