congrats

i wrote this song when i was 18

all these years later, it's still one of my favorites



congrats #13

congrats #12

congrats #11

Reo Cragun - Toxic (DLG. Remix)

Reo Cragun - Toxic (DLG. Remix) #19

MORE MORE MORE

MORE MORE MORE #26

Jon Waltz x Tate Tucker - Safeguard

LNRZ ON SOUND WK 6

First let's point out the obvious... Jon Waltz & Tate Tucker absolutely walked on this beat. Alongside Web3 veteran Jon Waltz, one of our very own LNRZ Freshman, Tate, makes his first debut outside of LNRZ Lookbook Vol. 1.

A note from the artists themselves:

Safeguard was kinda like a culmination of a lot of my fav records from the 2000s, tate fit right on the record and felt like the missing puzzle piece and the song feels like a warm blanket in December. Enjoy - Jon

"This collab feels years in the making for me, Ive been rocking with Jon forever and figured wed cross paths when it made sense. He sent the track beautifully laced already, I really sat with the notion of Safeguardingromantically, platonically. Its rare I can just unfold into a song I wasnt there to create from bar 1, but this process was seamless. <3 - Tate

Jon Waltz x Tate Tucker - Safeguard #34

There's No Other One

Im Glassface. Ive been creating music my entire life. Ive spent the past 10 years working as a music video / commercial director and visual artist, moonlighting as a producer & songwriter for other artists. In the past few years Ive come to realize the importance of sharing my music with the world, putting my head down to finish some of the myriad of demos I have in the vault. Putting everything into the music. In the past 3 months, Ive released 3 new songs with accompanying visuals. Theres No Other One is my 4th release this year, and is truly special to me. Oh, and Im just getting started.

Theres No Other One is a mix of some of my favorite things. Produced by Matti Free and me, we brought together live guitar and drums, pitched toms, analog synths under a cutting vocal. Minimal 80s-inspired pop rock leading into a crescendo of maximalist electronic production.

Nodding to favorite artists of mine including Daft Punk and Francis & The Lights - the song is an amalgamation of influences. Its really important to me to make the music that I want to hear. Lyrically, its about a moment of clarity - that feeling when everything comes together and makes sense. A somber night drive of self-discovery. The electricity you feel after a life-affirming realization. Disguised as a love song, Id say Theres No Other One is more of a self-love song. When I realized I was the only one who could accomplish my dreams, it empowered me, and I knew I was unstoppable. Its about staying the course and letting that feeling be a North Star. I really believe in what Im doing. This song is for anyone who has had that realization that they are that one.


There"s No Other One #12

Turtles ft. Malak Watson

This is the first song of my many sound releases. all of the music sounds a little different than the last drop. I sing and I rap. hope you enjoy.

Turtles ft. Malak Watson #12

Turtles ft. Malak Watson #11

Turtles ft. Malak Watson #10

Dump

Like most of Lil Bubble"s catalogue, "Dump" is a song about recent market events and the current climate of the crypto space. Every day"s the same, wake up and I check, if the FED gon" pivot, is over? Cos I"m rekt. Production also by Lil Bubble.

Lil Bubble is a Web3-native musician & degenerate moon boy. The satirical character was born in 2019 with the release of crypto-themed parody songs like All Time Lows, When Moon, Liquidated and Never Ever (Selling Back To Tether).

The singing spacemans music videos have since amassed over 8 million views and led to performances at Blockshow Asia, Binance Blockchain Week Paris, NFTfest Australia and a number of industry collaborations. With a debut album on the way and plans to build a whole swag of experiences in the metaverse, the Lil Bubble character is set for expansion into the realm of possibilities we call Web3. Are you coming along for the ride?

Dump #21

PARADE

PARADE was my second release this year. It talks about personal growth and the desire to leave your old life behind. It describes the feeling of betrayal you experience when dealing with snakes in the grass, exes and old friends appear out of nowhere at the sight of success.

PARADE #40

pass the time // think of you

hey :) this is my first solo release on here. I wrote this song in mid 2020 and have been waiting for the right time to share it and i think that time is now. I haven"t released it anywhere so it will be exclusive here. when i wrote the song i had just broken my wrist and it was peak lockdown and i was just on a tear of writing songs and trying to escape the reality of what life was. i hope it feels as special to you as it does to me <3 

mark

pass the time // think of you #13

APATHY

in a city that wears apathy as a sort of virtue.  effort and authenticity take the back seat.  

this is what i see.

APATHY #69

Reo Cragun - Buck (Mija Remix)

New flip of Buck brought to you by Mija. New verses added by Lackhoney and Reo. 10/10 club banger

Reo Cragun - Buck (Mija Remix) #14

Paramount

Have you ever found yourself metaphorically staring at the mountain of things you have to do and becoming anxious?  Has fear ever stopped you from following through? I know I have.  The very appearance of my lofty goals can sometimes paralyze me.

Paramount examines this paradigm between two perspectives: first from a third persons rhetorical vantage point and then from my own personal experiences with complacency, procrastination and failure.

Ive learned in this life, you cant be afraid to fail.  Every great anything/anybody has failed, often times, more than they succeed.  Ive come to find that the true secret to success is not being afraid to risk not obtaining it.

As a listener, I hope this song is your new anthem to get things done!  Remember those things that are paramount in your life and keep climbing!  

Paramount #1

Wes Period - WDITIA?! (CAP)

LNRZ ON SOUND WK 8

Is that a bird? Is it a plane? Nah, it's Wes Period floating down from the sky to deliver BARS. 

A note from Wes himself:

"Really was just on my shit talking vibe tbh. Somedays you wake up, turn the swag on, and just one bar out! It was one of those days lol. Im pretty sure at one point I thought to myself Who tf do I think I am?! my dude Tim Randolph and I cooked something up and ran with it."

Wes Period - WDITIA?! (CAP) #27

evil

Sometimes, as artists, and simply as people, we go through periods where nothing we create feels quite right. These periods normally expire within a relatively short timeframe, but can feel like an eternity. We bang our heads, over and over again, trying to find the perfect sound, paired to the exact feeling we mean to convey, and while this may seem fairly straightforward, it can feel like a truly insoluble puzzle. 

It had been a few months since I"d made a song I felt connected to, and I had been operating within said headspace throughout these months. Life just felt a bit lackluster, as it always seems to do when the one thing I care about most becomes the hardest to make; music. I"ll never know whether it was due to the personal affairs of my daily life, or something indescribable much deeper inside me, and truly I"ll never care. The reason for this is, I view these periods of dullness as essential for artists. In the same way that happiness is hard to understand without a grasp on sadness, an artist cannot create their absolute best without experiencing their worst.

Entering this mode of uncertainty always seems to be a slow trickled effect, while exiting it is usually quite sudden. Many times it"s an experience which wakes the artist up, other times it is a new song or album they hear. For me, it was a person, another music creator, who took me out of my creative hole, and helped me create this art.

I made Evil with my close friend and collaborator, Jason (JVSE). His style of music creation is extremely unique, and from the very first time we worked, I could tell my days of uncertainty within my own music creation were over. We have created quite a bit of music together, but the night we made evil, we both knew it was special. The song was unlike anything either of us had ever made, joining elements of both of our individual styles in a way we could never imagine without actually putting it on the paper. I truly believe being in the headspace I was in gave the song room to be authentically sorrowful, and Jason always understands how to create a perfectly represented production for whatever my lyrics and melody ask for. So to simplify things, evil is really a marriage between the dullest and most difficult moments in my life, and the highs and inspiring moments. Without experiencing the contrast of both, there is no evil, and truthfully, there is no lilspirit.