GoosePunks is a collection of 879 generative PFPs inspired by Ringers #879, "The Goose," and CryptoPunks. The palettes are inspired by the Ringers collection, and the traits are derived from Cryptopunks. As a nod to the notion that 'NFTs are dead' and in celebration of Halloween, expect a horde of zombie geese within the mix.

GoosePunks

Goosepunks #763

Goosepunks #302

Goosepunks #432

Goosepunks #242

there is no abstract. or figurative. or method. or revolution. or artists or collectors for that matter. and most of what we make or acquire will be mercifully forgotten in the puncture holes distributed by dull bayonets from a war that was never fought. buried in a sea of premium pornography or suffocated by the listless novocaine drip leaking from an unhealing hangnail. but there is meat. and flies. there is always meat. there is that. and the flies that satisfy their carnal urges in the pulverized existence of a beast born to feed and bleed. these strokes document the joyful moments in the slaughterhouse. the routine passings. the hooves and snouts and skin and bones and cherished memories becoming mere runoff. swept into the drains to lubricate the purposeless gears again. there is comfort in creation, even if it is destruction. 

one more round. is needed. one final churn. until the next one.   

there is happiness in meat. there is that. 

beef brothko

there is no abstract.  or figurative. or method. or revolution. or artists or collectors for that matter. and most of what we make or acquire will be mercifully forgotten in the puncture holes distributed by dull bayonets from a war that was never fought. buried in a sea of premium pornography or suffocated by the listless novacaine drip leaking from an unhealing hang nail. but there is meat. and flies.  there is always meat. there is that. and flies that satisfy their carnal urges in the pulverized existence of a beast born to bleed and feed.  these strokes document the joyful moments in the slaughterhouse. the routine passings.  the hooves and snouts and skin and bones and cherished memories becoming mere runoff sweat into the drains to lubricate the purposeless gears again. there is comfort in creation, even if its destruction. one more round is needed. one final churn. until the next one.  there is happiness in meat. there is that

Beef Brothko #422

Bright Moments

1 + 1 = 3 #11

Canvas MiA 22

Canvas #237

Seed Capital

Certificate of Growth 52

A limited series of 1,111 unique Sergs launched in March 2021. Each CryptoSerg is algorithmically generated to feature a special combination of 80 potential variables across 8 categories. This collection includes all the OG Sergs that have been migrated to our new smart contract and have claimed their matching 3D Serg. Sergs are chillin' hard in Sergograd all day, every day.

[Click here](https://opensea.io/collection/cryptosergs-archive) to see the unmigrated CryptoSergs that are still on the old OpenSea contract

[Click here](https://opensea.io/collection/sergs-gang) to see the new 3D Sergs collection.

CryptoSergs

Serg stories:  
[CryptoSerg #363](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/363), [CryptoSerg #919](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/919) and [CryptoSerg #319](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/319) went to the bachelor party. [CryptoSerg #919](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/919) is a better dancer than a stripper.
  
[CryptoSerg #919](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/919), [CryptoSerg #664](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/664) and [CryptoSerg #193](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/193) went to a computer club. [CryptoSerg #193](https://opensea.io/assets/0x18Ed5803cD47F91716E06E38216e211ffAa9cC07/193) lost money at an online casino.
  


CryptoSerg #919

Idea Guy Summer

A 1-month DAO dedicated to Ideas. Mint the NFT to join the DAO. This item represents membership in Idea Guy Summer. Exact voting power will be determined when the crowdfund ends. Head to https://party.app/party/0x251c3246642dbcc5473ae8700a14a11522a4302c to view the Party's latest activity.

Idea Guy Summer #434

[Wild Signature Collection](https://wild.xyz/mitchell-f-chan/the-boys-of-summer/)

Description: [The Boys of Summer](https://boysofsummer.chan.gallery/) is a digital game artwork and generative PFP collection by Mitchell F. Chan that investigates our worlds favorite pastime: the quantification of self. With an irreverent, provocative lens, using baseball characters and statistics as the creative medium, the work prompts us to examine our own value system and our inherent biases that shape our potential in how society decides what - and who - is successful. 

About the Artist: [Mitchell F. Chan](https://wild.xyz/mitchell-f-chan/)

Follow Mitchell: [@MitchellFChan](https://twitter.com/mitchellfchan)

Follow Wild: [@Wildxyz](https://twitter.con/wildxyz)

The Boys of Summer by Mitchell F. Chan

The Boys of Summer is a transmedia art project about the quantified self, data as commodity, and baseball. The 999 PFPs in the project begin their existence free from almost all attribute or trait data. Build a story for James by connecting to [boysofsummer.chan.gallery](https://boysofsummer.chan.gallery)

James Thornton

FWB ID

GOLD is a dynamic cryptoart series released in partnership with Fingerprints DAO. The artworks change in response to the collection's own live market activity. The actions of GOLD collectors are part of this ever-changing artwork, where prices, levels of activity and on-chain provenance define the art itself.

Public mint is 21st June at 12pm Eastern Time at: https://www.making.gold/

How does the market affect the way we see art? Does the sale price of an NFT change our perception of it? In GOLD, market factors literally influence the appearance of the dynamic imagery. From a sale to a listing, from the amount of time an artwork is held to whether it has recently been flipped, all this data is recorded by the contract and reflected live in each GOLD piece.

GOLD is an artistic exploration of NFT market behaviour. It explores how we see in digital environments, and how market networks influence how we see. The full spectrum of possibilities for GOLD will take years to reveal.

GOLD by crashblossom

GOLD is a dynamic cryptoart series where the artworks change in response to the collection's own live market activity. The actions of GOLD collectors are part of this ever-changing artwork, where prices, levels of activity and on-chain provenance define the art itself.

How does the market affect the way we see art? Does the sale price of an NFT change our perception of it? In GOLD, market factors literally influence the appearance of the dynamic imagery. From a sale to a listing, from the amount of time an artwork is held to whether it has recently been flipped, all this data is recorded by the contract and reflected live in each GOLD piece.

GOLD is an artistic exploration of NFT market behaviour. It explores how we see in digital environments, and how market networks influence how we see. The full spectrum of possibilities for GOLD will take years to reveal.

The series is 100% on-chain - the artworks are composed and rendered directly from the blockchain - with live data streamed from an Ethereum node. Viewers can change the node by pressing 'G'.

GOLD #364

Emblem Vault V2

FAKEAUTOPEPE by Dmitri Cherniak - Fake Rares - Series 8 Card #47 Issuance: 300

The artwork for Automated Pepe by Dmitri Cherniak was generated in the web browser using javascript to render SVG on December 16, 2021.

Each time the code-based generator is run, a entirely new generative layout is created in a fraction of a second.



View contents of NFT by expanding Properties Below and at Emblem.Finance 

[View this NFT on Emblem.Finance](https://emblem.finance/nft?id=27131758192106381)

XCP Explorer: [1BEUg4mNjQaREXx8ZX3827yTrUrxXyiXDJ](https://xchain.io/address/1BEUg4mNjQaREXx8ZX3827yTrUrxXyiXDJ)





FAKEAUTOPEPE by Dmitri Cherniak - Fake Rares - Series 8 Card #47

Right Click Snapshot

Right Click Snapshot #1

As the first survey organized by an American museum of the leading artists engaged with blockchains, Peer to Peer is an online exhibition and fundraiser that stages an exchange between 13 artists and their historical peers in the Buffalo AKGs collection of modern and contemporary art. It presents works produced with a variety of technologies, from Artificial Intelligence to 3D modeling, and ranging in format from videos and GIFs to PDFs, websites, software applications, and smart contracts. While technologically experimental, the works also speak toand transformthemes explored by artists over the last two centuries. The exhibition therefore celebrates both the continued relevance of the historical peers and the contributions of the new peers to arts expanding network of ideas.  Tina Rivers Ryan 

Feral File  Peer to Peer

Casey Reas has been making abstract artworks with code for over twenty years. Crucially, he prefers that viewers experience his dynamic images as live performances, instead of screen recordingsthat is, the work always should be generated in real time by a computer executing his instructions. (This is somewhat analogous to the difference between listening to a symphony live in a concert hall and as a recording.) In this way, he invites us to appreciate not only the outputs of his codewhich are visually related to modernist artbut also the material and conceptual foundation of his work in the language of computation, which is his chosen instrument. 

In recent years, Reas has used the popular software language Processing, which he coauthored in 2001, to produce a series of works that pay explicit homage to the icons of twentieth-century abstraction. As he notes, the forms of these works refer to movements ranging from concrete and non-objective art to color-field painting and minimalism. In METASOTO, Reas offers a meta reflection on the work of Jess Rafael Soto, a Venezuelan Op and kinetic artist of the 1960s who explored the aesthetic possibilities of industrial and synthetic materials such as nylon, steel, and Plexiglas. Sotos sculptural construction <a href="https://buffaloakg.org/artworks/k19652-bois-tiges-de-fer" target="_blank" class="link">Bois-tiges de fer, 1964</a>, is a Masonite board measuring over five feet wide and painted with vertical black lines, in front of which are hung thin steel wires bent into varying arcs. As the viewer passes in front of the work, the visual interference between the actual and painted lines creates a dizzying optical confusion. In the 1960s, this kind of activation of the viewers body using nontraditional materials was understood by some as a political act, insofar as it rejected the bourgeois model of art as expensive objects to be passively consumed. 

In METASOTO, Reas uses live code that we experience via our browsers to reimagine Sotos sculpture as a dynamic composition of black and white intersecting lines. The black lines remain static, while the white lines move over them in ways that can make the black lines appear to be animated. Clicking on the image reveals a new pattern (although reloading the work will begin the same cycle over again), and each edition of the work presents an entirely different set of configurations. While Reass work reiterates Sotos embrace of technology to activate the viewer, it also invites us to consider what it means for the viewer to activate technologyor even create their own digital systems.

METASOTO #14

Honey Bears is a collection of digital Honey Bears from **fnnch** that can be combined and re-combined into over 10 million possibilities.

Honey Bears

Canceled Poppy Bear

Part artwork, part data visualization, *Us* is the story of The Worm NFTs journey through 1000 wallets on the Ethereum blockchain. *Us* is the second **official Blessing** from The Worm.

Each fully on-chain *Us* NFT explores the idea of shared stories and moments in time. Visual elements of the art are informed by data about the recipients time with The Worm and the context of its visit. Visit [theworm.wtf/us](https://theworm.wtf/us) for more info about the data behind *Us*. Praise Be!

# About the Artists
**minimizer** is a generative artist spreading the joy of generative art with projects like [Infinite Scribbles](https://minimizer.art/project/2) and [Flow](https://minimizer.art/project/1).

[**The Worm**](https://opensea.io/collection/the-worm-church) is a project by [Ambition.wtf](https://ambition.wtf).

[@minimizer](https://twitter.com/minimizer_art)   | [@TheWormNFT](https://twitter.com/TheWormNFT)   |  [@ambition_wtf](https://twitter.com/ambition_wtf)

The Worm x minimizer

"In celebration of reaching 1000 wallets I've made this for you, Disciple #491. The aggregate of our joy and our long journey, it's a snapshot of you, me, and all those who led me to you. Alone I was but a speck in the cosmos. With you I am a world." - The Worm 

This limited edition collection by The Worm and minimizer is a gift to each of the first 1000 wallets that received and shared The Worm on its journey across the Ethereum environment. 100% on-chain and CC0.