Mint Gold Dust

Western man is forged on the spectacularizing of information by the mass media through television and the internet, on the bulimic raising of money by making him a slave and on swallowing junk food well aware of harming his health. Contemporary man desperately spends his days settling on superfluous values, trying to decode issues that do not deserve importance, detaches himself from social groups, closes in on himself. It is here that he takes refuge in consumerism and develops an identity annihilation of the individual

Contemporary man

This PREMATURE artwork is the 106th Augmented Klecksography Painting.
It was born from a color splash onto black cardboard and then blind-shaped by my hands following the instinct. The connection with the matter led to the materialization of this creature coming from the unconscious and crystallized in time through photography.
Now it lives in a unique motion-state in the Blockchain, perpetually reiterating its beauty before your eyes.

Take this PREMATURE revelation as a mirror for reflecting yourself in the work of art and shares your vision with other fellow human beings.

Premature 106

First piece of the "GO!GO!Rain Series".

"Amura of the thousands rains"

Entirely created using Unity Engine v2021.1.2fi

GO!GO!Rain #1 (Amura Appearance)

And in the end, it became her goal and her challenge to guard herself and preserve her purest state of being...
(Based on artist"s original painting)

Preserve the Self

The humanoid composite heads were in Hidden Faces use of this approach technique.

Shadow Creature #01

The humanoid composite heads were in Hidden faces use of this approach technique.

Shadow Creature #02

This is the first collection to be born in the dephts of abyss: ready to discover it? 

Made in abyss

John McAfee. 2012. Created from an original picture. Design and colors by Carlitos. 

The artwork expresses the two sides of John McAfee's personality, an unusual tech genius with a life on the edge. 

"Disobedience is the vehicle of progress.
John McAfee (1945 - 2021)

The thin line between genius and madness

My first Nft for MINT GOLD DUST is GOLDEN RAIN: in the real world we see rain as something sad and we can't wait for the sun to come back.
In the blockchain, in particular inside MINT GOLD DUST, even the rain is different: made of gold and light, it becomes something precious, as its precious for an artist to be part of this community.
Golden Rain with its Golden Drops, until they finally explode into billions of particles, both to spread light across the universe and to go back to the origins, where they were born: MINT GOLD DUST.
GOLDEN RAIN is an animation made of fast 1000 levels and its my invention: I invert standardized process that should lead everyone to the same result; I manipulate specific digital operations (more times) that always lead me to a different conclusion, if not opposite, to the one that this process would have produced if I hadn't tried to get involved, to interact with it.
This artwork (and its creation process) is UNIQUE, irreversible and unrepeatable.

Golden Rain

The sacred geometry symbol Receive rushes by amid the auditory and visionary glitch. In the middle is an empty circle, representing the space needed to receive changes.

In the rush of life, we move so quickly from moment to moment. When we want to receive change, we cant. Were moving too quickly to allow the change to happen. Lets slow down and create the space to receive.

Receive also comes with a Hahnemhle Fine Art Print that includers an AR activation. 


Receive

This is a 3D render, the first of a series of compositions to explore the concept of dynamic  motion,  where I used fluid dynamics simulations to create the exploding effect you see there. I had the crazy idea of taking mundane objects and doing extraordinary things with them.

Electrified Eggbeater

Based on my untitled painting from 1986. An organization in the #metaverse advancing in a mystical ceremony as yet undefined. This ceremony is becoming a unified ritualistic event with a purpose. Music by @feedingoats #theremin @thereminati and #guitar @hafftka animated by @yonathafftka

Escort

This is the first of a series of animations where I create dynamic movement interactions using fluid dynamics software to represent the  the mechanical movements interacting with fluid environment.

"Turbulance"

This fingerprint dances within gold dust; a macrocosm of texture unique to its creator.
As an isolated element, it's revealing abstracts of human ideals & symbolism.  Prismatic sparks of energy release as new ideas manifest by touch of the artist. Infinite avenues stem from this language of dynamic values. Collectively birthed are planets of knowing; interlaced existences containing worlds within ourselves.  Artists express habits of creation; contributing to the collective enriching through self-reflection.  This language is directional, radiating out to all who resonate; permeating the subconscious and readily available to deliver nuances of emotion sparked within. GiselXFlorez

Inner Space of Touch

Floating blue planet
Only refuge, only home
Endangered Mother.

Photographic chemigram, digitally enhanced.  

The patterns created as the chemigram developed suggested to me a landscape seen from above.  As the colors emerged in post-processing, the connection was cemented, and I began to see our lovely blue home swirling in space.  As I worked on each piece in the series, the metaphor became stronger and I ended by seeing the series as a prayer for this precious home we so commonly abuse.  The three individual pieces in the series are designed to work as a triptych.

Blue Planet #1

Floating blue planet
Only refuge, only home
Endangered Mother.

Photographic chemigram, digitally enhanced.  

The patterns created as the chemigram developed suggested to me a landscape seen from above.  As the colors emerged in post-processing, the connection was cemented, and I began to see our lovely blue home swirling in space.  As I worked on each piece in the series, the metaphor became stronger and I ended by seeing the series as a prayer for this precious home we so commonly abuse.  The three individual pieces in the series are designed to work as a triptych. 


Blue Planet #2

Blue Planet #3

Made in Abyss represent the first transaction of moods in real creatures. I imagined a creature devoid of colors except in her gaze, as if she were looking inside you: the body is white, aseptic and the details are composed of soap bubbles, almost as if they were something ethereal and not lasting, something changeable.