Beyond the Edge presents four perspectives of Jackson Pollock's studio floor, the site upon which the master abstract expressionist dripped, poured, and splattered paint across unstretched canvas. At the time of creation, the 1940s and 1950s, his expressive process of working around a canvas laid directly on the floor was unheard of; however, it soon overturned the tradition of upright painting, a convention which had been firmly established for five centuries. 

Beyond the Edge holders will receive access to Art From Art collaborations, Pollock Ordinals and other collection releases.

Beyond The Edge: The Jackson Pollock Studio Collection

This collection piece from the studio floor is marked by its powerful spillover of Jackson Pollocks 1952 masterpiece, Convergence. An outsider amongst the artists so-called black paintings.

Jackson Pollock Studio 02 - #15

Jackson Pollock Studio 02 - #16

Jackson Pollock Studio 02 - #20

Jackson Pollock Studio 02 - #21

Jackson Pollock Studio 02 - #22

Jackson Pollock Studio 02 - #24

Jackson Pollock Studio 02 - #26

Jackson Pollock Studio 02 - #27

Jackson Pollock Studio 02 - #28

Jackson Pollock Studio 02 - #33

Jackson Pollock Studio 02 - #34

Jackson Pollock Studio 02 - #36

Driven by a desire for people to look beyond subject and appreciate the work as pure painting, Jackson Pollock began to name his canvases by number. From the edges of No. 3 (1950), we reveal the next perspective. What do you see?