2018 Collection  This fullscreen software autosurfs the massive genealogy of the 'Death Imitates Language' project, containing the first 12.000 specimen, bred by a genetic algorithm, and selected by micro-feedback of the artist.



autobreeder (lite) by harm van den dorpel, 2016, 100 editions

this fullscreen software autosurfs the massive genealogy of the 'death imitates language' project, containing the first 12.000 specimen, bred by a genetic algorithm, and selected by micro-feedback of the artist

offline, duration infinite, not interactive, silent

autobreeder (lite) (73/100) by Harm van den Dorpel

autobreeder (lite) (74/100) by Harm van den Dorpel

autobreeder (lite) (75/100) by Harm van den Dorpel

autobreeder (lite) (69/100) by Harm van den Dorpel

autobreeder (lite) (70/100) by Harm van den Dorpel

autobreeder (lite) (68/100) by Harm van den Dorpel

autobreeder (lite) (71/100) by Harm van den Dorpel

autobreeder (lite) (61/100) by Harm van den Dorpel

autobreeder (lite) (21/100) by Harm van den Dorpel

autobreeder (lite) (90/100) by Harm van den Dorpel

autobreeder (lite) (19/100) by Harm van den Dorpel

autobreeder (lite) (22/100) by Harm van den Dorpel

this fullscreen software autosurfs the massive genealogy of the "death imitates language" project, containing the first 12.000 specimen, bred by a genetic algorithm, and selected by micro-feedback of the artist

offline, duration infinite, not interactive, silent

autobreeder (lite) (28/100) by Harm van den Dorpel

autobreeder (lite) (45/100) by Harm van den Dorpel

This fullscreen software autosurfs the massive genealogy of the 'death imitates language' project, containing the first 12.000 specimen, bred by a genetic algorithm, and selected by micro-feedback of the artist   

offline, duration infinite, not interactive, silent   

By by Harm van den Dorpel, 2016

Autobreeder (lite)  1/100

Autobreeder (lite)  2/100

Autobreeder (lite)  5/100

This fullscreen software autosurfs the massive genealogy of the "death imitates language" project, containing the first 12.000 specimen, bred by a genetic algorithm, and selected by micro-feedback of the artist   

offline, duration infinite, not interactive, silent   

By by Harm van den Dorpel, 2016