Art Blocks is dedicated to bringing compelling works of contemporary generative art to life. We unite artists, collectors, and blockchain technology in service of groundbreaking artwork and remarkable experiences.

Art Blocks Factory

Beatboxes are fully immersive, virtual reality, audiovisual generative art on the Ethereum blockchain. Beatboxes consist of 841 generated unique rooms where you can fully immerse yourself with any virtual reality device. You can also enjoy them from your pc in a more conventional way. Beatboxes are our second experimental piece of art, following the successful release of Unigrids. The goal with this collection was to create an environment where you can escape your reality for a moment and enjoy your unique piece of art while stimulating the most senses possible. You can open your eyes inside your unique art piece and explore by looking around and listening as you enjoy something you own. In live view use arrows to move around and spacebar to start the music and animation. Visit beatboxes.io to browse all Beatboxes more easily, Have fun! *note that Beatboxes are using aframe which is currently not optimized for ios mobile and safari browser. 

Beatboxes #800

Trossets explores the emergence of diversity. Combining twelve construction blocks the system generates endless patterns with a unique result each iteration. Trossets /trusts/ means parts, blocks, pieces and it's my particular homage to a classical generative system, the multiscale Truchet tiles. The systems plays an interlocking blocks game creating unexpected drawings with colors borrowed from the Mediterranean. To keep this colors alive 10% of the profits will be donated to Marilles Foundation, an NGO for marine conservation (https://marilles.org/en). And 15% of the minting profits will go to OpenArms, an NGO that helps refugees that try to cross the Mediterranean (https://www.openarms.es/en).

Trossets #849

Fragments of an infinite field is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscapes colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project I also intend to research the following question: How to create parameters that resemble a living organism's growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms.

Fragments of an Infinite Field #991

"Seadragons" is a generative catalogue of imaginary sea creatures from Syngnathidae family. Each seadragon belongs to one of the real Weedy, Leafy or Ribboned species, while the patterns and the small leaf-like appendages are an artistic interpretation. The dragons are rendered in real-time allowing you to watch them slowly drifting in the water or moving your mouse to nudge them slightly.

This project is a continuation of my long term fascination with using code to recreate forms and patterns occurring in nature. By using a range of non-photorealistic rendering techniques I strive to document those explorations as if they were actual sketches, posters or biological illustrations of the encountered specimens. Algorithmic variations of their patterns, sizes, colors, poses, complexity and surrounding seaweed present in each artwork are only a minor drop compared to the diversity observed in natural environments. 

15% of profits will be donated to oceana.org for protecting and restoring the worlds oceans on a global scale. Another 10% will be donated to givewell.org.

Seadragons #430

"Seadragons" is a generative catalogue of imaginary sea creatures from Syngnathidae family. Each seadragon belongs to one of the real Weedy, Leafy or Ribboned species, while the patterns and the small leaf-like appendages are an artistic interpretation. The dragons are rendered in real-time allowing you to watch them slowly drifting in the water or moving your mouse to nudge them slightly.

This project is a continuation of my long term fascination with using code to recreate forms and patterns occurring in nature. By using a range of non-photorealistic rendering techniques I strive to document those explorations as if they were actual sketches, posters or biological illustrations of the encountered specimens. Algorithmic variations of their patterns, sizes, colors, poses, complexity and surrounding seaweed present in each artwork are only a minor drop compared to the diversity observed in natural environments. 

15% of profits will be donated to oceana.org for protecting and restoring the worlds oceans on a global scale. Another 10% will be donated to givewell.org.




Seadragons #740

a floating spawn has appeared ... this site hosts a garden of spawns ... each generated from a unique seed that determines varying conditions for how they're made.

spawn #148

spawn #995

Himinn is a painterly cloud study exploring light, color, and the generative composition of clouds in the sky. The algorithm creates natural forms and the illusion of ever-changing atmosphere through carefully structured layers of color and shape. Himinn means a sky, and it has been incredibly fun to paint the skies with code.

Himinn #114

An exploration in generating forms in 3-dimensional space. This exclusive set of sculptures has been carved from a sea of infinite possibilities, much like a sculptor creates a singular reality from the potential in a block of stone. The shapes are illuminated by a variety of complex virtual lighting environments and yet the piece retains algorithmic minimalism with the code reduced to its pure essence -- 6370 bytes. Skulptuurs render in real time. In live view, the image keeps improving in quality. Keys 0-7 change speed: 0=Stop, 5=Default, 7=Fastest. Careful, requires a powerful machine. Requires a WebGL2-enabled browser.

Skulptuur #279

Eight a symbol of luck, fate, a cosmic slot machine. The I Ching gives a glimpse of the future & some traits allow you to draw your own art. Luck of the mint, art of the flip to explain the randomness of ones unique traits. The fruit of the slots to the binary I Ching of 8 sides & planetary gender. These traits are in the art & in us. They might seem imperfect but their unique lucky combination give each a power no one else has. 
**At least 12% of the profit is donated to CasaBrumar Foundation & Safe Space and other LGBTQ+ charities**
Space: stop/start, C: color, F: Faster, E: Slower, X: Stop/Reset/Start, ASWD: move symbol, 2 finger touch: stop, 1 finger drag: move

8 #110

8 #111

8 #112

FOCUS is the second project in my Zenerative series of Zen-inspired generative art, following [Ens](https://www.artblocks.io/project/34). 

The algorithm can produce interactive pieces that are elegantly minimal as well as artworks featuring complex patterns that explore visual illusions and artificial space. FOCUS outputs span three responsive aspect ratios, each of which have three possibilities for the central shape - or focus. Drawing inspiration from the Zen art tradition of doing more with less, the limited palette consists of black, white, and five colors. This palette both constrains possible outcomes and allows the creation of unique perceptual interactions. Except in extremely rare scenarios, each piece can provide a wide variety of visual experiences through its interactive features: use up and down arrows to adjust the pattern recursion factor, left and right arrows to adjust the midpoint count, h to hide or show the central shape, and s to save.

As a gift to my collectors, FOCUS has a free-to-claim, 100% on-chain, generative SVG companion project called [deFOCUSed](https://matto.xyz/project/defocused/). (Thank you!)