TingaTinga: Chapter II

"The drawing is based on a tale my grandfather shared about jungle life. Animals organized a competition to select a guardian responsible for spotting distant threats. The monkey emerged victorious and, to this day, remains the forest's lookout, adept at climbing tall trees to spot potential dangers."

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The Monkey by Mpelia #10

My artwork is inspired by a polygamous Maasai family living in unity. The family head, with multiple wives, goes out with two and their children. Their vibrant attire reflects the modest Maasai lifestyle. This drawing captures the rich traditions defining Maasai life.

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The Maasai by R. Duke #12

The artwork portrays a Tanzanian crow family, vividly depicting their daily routines. They gather at day's end, illustrating their strong familial bonds. Notably, when a crow passes, the others stay nearby all day, showcasing their deep connection. Like humans, they wake early for food, convene in the evening, and rest at night. This piece emphasizes the parallel lives of crows and humans, highlighting their communal and familial aspects.

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Family of Birdsby Chado #13

The Monkey by Mpelia #14

Family of Birdsby Chado #14

Kikukuana are garments that showcase the unique cultural identity of Tanzania and parts of South Africa, serving as a source of pride for the whole African continent. Embracing the beauty of traditional clothing through a distinct TingaTinga interpretation, Malikita captures the essence of Tanzanian heritage. Celebrated for their cultural significance, these garments blend tradition and artistry, resonating with audiences locally and globally.

(Kikukuana)         ,         .  TingaTinga Arts           .                 .

Kikukuana Clothes by Malikita #15

The Maasai by R. Duke #17

The Monkey by Mpelia #18

It portrays a mother antelope sharing insights with her young about dangers from other animals. She safeguards them from predators like lions and leopards. While antelope meat is favored for its sweetness, my focus in drawing them lies in capturing their gentle nature, especially highlighting the bond between a mother and her offspring.

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The Antelope Pose by Ramadhani Mangula #18

"This drawing, inspired by my grandfather's story, recounts how animals organized a competition to ensure safety in the jungle. Tasks were assigned to different animals; the monkey emerged victorious in a contest to reach the top of a tree and became responsible for spotting potential threats, a role they still hold in protecting the forests."
(By artists grandson Issa Charinda)

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(  ' Issa Charinda')

Socialism by Charinda #18

Family of Birdsby Chado #18

The Maasai by R. Duke #18

Kikukuana Clothes by Malikita #18

The Antelope Pose by Ramadhani Mangula #19

Kikukuana Clothes by Malikita #19

"The drawing is based on a tale my grandfather shared about jungle life. Animals organized a competition to select a guardian responsible for spotting distant threats. The monkey emerged victorious and, to this day, remains the forest"s lookout, adept at climbing tall trees to spot potential dangers."

         .           .               .

The Monkey by Mpelia #20

"This drawing, inspired by my grandfather"s story, recounts how animals organized a competition to ensure safety in the jungle. Tasks were assigned to different animals; the monkey emerged victorious in a contest to reach the top of a tree and became responsible for spotting potential threats, a role they still hold in protecting the forests."
(By artists grandson Issa Charinda)

            .                ,          . 
(  " Issa Charinda")

Socialism by Charinda #20

The artwork portrays a Tanzanian crow family, vividly depicting their daily routines. They gather at day"s end, illustrating their strong familial bonds. Notably, when a crow passes, the others stay nearby all day, showcasing their deep connection. Like humans, they wake early for food, convene in the evening, and rest at night. This piece emphasizes the parallel lives of crows and humans, highlighting their communal and familial aspects.

       .    .       ,   .               .   ,      ,  ,  .        ,   ,   