Ceramics by Charlotte Dann

Inside the computer theres a digital hand. The hand selects a metal implement, cuts off a slab of clay, and carves into its surface. It wanders like your hand wanders; it carves imaginary contours, sinuous and exploratory. It doesnt know the end result so it carves lines until it feels content, and then it numbers the piece and stamps its makers mark. It fires the slab in a digital kiln (it calls this minting) and through this act its art is preserved for millennia. The hand runs its fingers over the textured surface, feeling satisfaction at having spontaneously produced a piece of art so beautiful, expressive, and unique.

---

Ceramics is a generative sculpture that mimics the physical expression of carving into clay. Through uncanny naturalistic rendering it challenges our notion of handmade. It asserts that the value of handmade isnt the time it takes to make the work nor the physical materials consumed, but the endless small decisions and serendipitous details that appear along the way, as can be felt in each Ceramics mint.

Despite the handmade nature of Ceramics the outputs cannot be touched. Highly tactile images enchant the viewer to imagine their tangible representations, and leave them to dwell on their perception of materiality  both in the experiential physical world and conceptually-infinite digital space.

Ceramics #126

Ceramics #127

Ceramics #146

Ceramics #173

Ceramics #176

Ceramics #182

Ceramics #183

Ceramics #185

Ceramics #190

Ceramics #198

Ceramics #200

Ceramics #201

Ceramics #202

Ceramics #203

Ceramics #204

Ceramics #205

Ceramics #206

Ceramics #207